The Last of the Mortimers: A Story in Two VoicesOliphant, Mrs. (Margaret)
General
The Last of the Mortimers: A Story in Two Voices
Oliphant, Mrs. (Margaret)
Fiction
“And when they’re old as well,” said Cresswell, with a little nod of his
head. Mr. Cresswell, of course, like all the other people, would never
have looked at me when Sarah was present in old days; but now, when we
were both old women, the sly old lawyer had wheeled about, and was
rather an admirer of mine. I have had admirers since I was fifty; I
never had many before.
“Now, are you going to stay to tea?” said I.
“Thank you. I have not the least doubt it would be for my own advantage;
my cook is not to be named in the same breath with yours; but I promised
to be home to dinner,” said Mr. Cresswell. “Thank you all the same; Sara
will be waiting for me.”
“And how is the dear child?” said I.
“Very contrairy,” said Mr. Cresswell, shaking his head. “To tell the
truth, I don’t know what to make of her. I had twenty minds to bring her
to-day and leave her with you.”
“Bring her next time. I never find her contrairy,” said I. “But perhaps
_you_ never were young yourself?”
“Perhaps not, Miss Milly,” he said. “I have had a pretty tough life,
anyhow; and it is hard to be thwarted at the last by the only creature
one has to love.”
“It is harder not to have a single creature that one has a right to
love,” said I a little sharply. “If we had your Sara belonging to us,
contrairy or not, we should not have to hunt up a far-off cousin, or
advertise for an heir.”
A little passing gleam shot from the solicitor’s eye; he looked at me
close for a moment, and then at Sarah, with a lip that moved slightly,
as if he were unconsciously saying something within himself; I saw what
it was as clear as daylight.
“She’s a good girl,” he said, faltering a little. “I daresay you’d soon
have her in hand, Miss Milly; there’s no place she is so fond of as the
Park; I’ll bring her out to-morrow.”
And he went away, never thinking that I had seen what was in his mind.
CHAPTER II.
Public-domain text, read in full here on John Shaqi.
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