Ovid begins the poem by asking his detractor why he criticizes Ovid's
verse. A poet's fame increases after his death; Ovid's fame was great
even while he was still alive (1-4). There were many poets contemporary
with Ovid (5-38). There were also younger poets, not yet published, whom
he will not name, with the necessary exception of Cotta Maximus (39-44).
Even among such poets, he had a reputation. Envy should therefore cease
to torment him; he has lost everything but life, which is left only so
that he can continue to experience pain (45-50).
The poem is of particular interest because of the catalogue of the poets
of the earlier part of the reign of Tiberius. It is a reminder of how
much Latin verse has been lost, for of the poets listed only Grattius
survives.
Similar catalogues of poets are found at Prop II xxxiv 61-92 and _Am_ I
xv 9-30, the poets listed being however not contemporaries but
illustrious predecessors. _Tr_ IV x 41-54 is complementary to the
present poem, being a list of the leading Roman poets at the beginning
of Ovid's career. All of these poems come last in their book, and it
seems clear enough that the present poem was meant to close a published
collection. Other links exist with the earlier poems: mention is
similarly made in them of the poet's fame after his death (Prop II xxxiv
94, _Am_ I xi 41-42, _Tr_ IV x 129-30), and _Am_ I xv (which Professor
R. J. Tarrant suggests may have ended the original edition in five books
of the _Amores_) is, like the present poem, addressed to _Liuor_.
=1. INVIDE, QVID LACERAS NASONIS CARMINA RAPTI.= Compare the question that
opens _Am_ I xv 'Quid mihi, Liuor edax, ignauos obicis annos, /
ingeniique uocas carmen inertis opus'. For _inuide ... laceras_ compare
Cic _Brutus_ 156 '_inuidia_, quae solet _lacerare_ plerosque'.
=1. LACERAS.= _Lacerare_ 'attack verbally' is a prose usage, found in
Cicero, the historians, and the elder Seneca (_OLD lacero_ 5; _TLL_
VII.2 827 50).
The primary meaning of _lacerare_ behind this usage is _mordere_;
_lacerare_ is found in this literal sense at Cic _De or_ II 240
'_lacerat_ lacertum Largi _mordax_ Memmius', Phaedrus I xii 11
'_lacerari_ coepit _morsibus_ saeuis canum', and Sen _Clem_ I 25 1.
For _mordere_ in the same transferred sense, see at xiv 46 _mordenda_ (p
424).
=1. NASONIS ... RAPTI.= 'Of Ovid, who is now dead'. For _rapti_, see at xi
5 _rapti_ (p 362).
=2. NON SOLET INGENIIS SVMMA NOCERE DIES.= The same thought at _Am_ I xv
39-40 'pascitur in uiuis Liuor; post fata quiescit, / cum suus ex merito
quemque tuetur honos' and _EP_ III iv 73-74 'scripta placent a morte
fere, quia laedere uiuos / Liuor et iniusto carpere dente solet'.
Public-domain text, read in full here on John Shaqi.
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