The news that the pretty and novel Miss Buddy would sing brought all the guests forward in a huddle like cattle at home-coming time. Even Deacon Peavey gave up his vow to open that camp-stool or die and sat down in a draught to listen. The perspiration cooled on him and he caught a terrible cold, but that was Mrs. Peavey’s business, not ours. Miss Pamela Duddy sidled into the elbow of the piano with a most attractive kittenishness and waited for the prelude to be done. This required some time, since the ancient sheet-music had a distressing habit of folding over and, as it were, swooning from the rack into the pianist’s arms. Besides, Mr. Maugans was so used to playing the melodeon that instead of tapping the keys he was continually squeezing them, and nothing came. And when he wished to increase his volume of tone he would hold his hands still and slowly open his knees against swell-levers that were not there. This earnest futility gave so much amusement to Josie’s youngest daughter that she had to be eyed out of the room by her mother. Miss Pamela saved the day by a sudden inspiration, a recollection of what she had seen done by one of the leading sopranos from Indianapolis at a recital in the Star course at Peoria; Miss Pamela bent her pretty head and took from her juvenile breast one big red rose and held it in her hands while she sang. During the final stanza she plucked away its petals one by one and at the end let the shredded core fall upon the highly improbable roses woven in Josie’s American Wilton carpet. The girl’s features and her attitudes were sheer Grecian; her accent was the purest Peoria. Now and then she remembered to insert an Italian "a," but she forgot to suppress the Italian "r," which is exactly the same as that of Illinois, but lacks its context or prestige. Her fresh, uncultivated voice was less faithful to the key than to her exquisite throat. To that same exquisite throat clung one fascinated eye of Mr. Maugans’s, whose other orb angrily glowered at the music as if to overawe it. Had he possessed a third eye it might have guided his hands along the keyboard with more accuracy, but this detail could have affected the result but little, since his hands were incessantly compelled to clutch the incessantly deciduous music and slap it back on the rack. Two stanzas had thus been punctuated before a shy old maid named Deborah Larrabee ventured to rise and stand at the piano, supporting the music. This compelled her to a closer proximity to a nice young man than she had known for so many years that she almost outblushed the young girl. Deborah was afraid to look at anybody, yet when she cast her eyes downward she had to watch those emotional knees of Mr. Maugans’s slowly parting in the crescendo that never came.