THE LAST SHOT by FREDERICK PALMER Author of _Over the Pass_, etc. 1914 TO THE READER This story of war grew out of my experience in many wars. I have been under fire without fighting; known the comradeship of arms without bearing arms, and the hardships and the humors of the march with only an observer's incentive. A singular career, begun by chance, was pursued to the ends of the earth in the study of the greatest drama which the earth stages. Whether watching a small force of white regulars disciplining a primitive people, or the complex tactics of huge army against huge army; whether watching war in the large or in the small, I have found the same basic human qualities in the white heat of conflict working out the same illusions, heroisms, tragedies, and comedies. The fellowship of campaigning made the cause of the force that I accompanied mine for the time being. Thus, one who settles in the town of A absorbs its local feeling of rivalry against the town of B in athletic games or character of citizenship. To A, B is never quite sportsmanlike; B is provincial and bigoted and generally inferior. But settle in B and your prejudices reverse their favor from A to B. Yet in the midst of battle, with the detachment of a non-combatant marvelling at the irony of two lines of men engaged in an effort at mutual extermination, I have caught myself thinking with the other side. I knew why my side was busy at killing. Why was the other? For the same reasons as ours. I was seeing humanity against humanity. A man killed was a man killed, courage was courage, sacrifice was sacrifice, romance was romance, a heart-broken mother was a heart-broken mother, a village burned was a village burned, regardless of race or nation. Every war became a story in a certain set form: the rise of the war passion; the conflict; victory and defeat; and then peace, in joyous relief, which the nations enjoyed before they took the trouble to fight for it. But such thoughts have been a familiar theme to the poet, the novelist, the dramatist, the satirist, the dreamer, and the peace propagandist, while the world goes on arming. In want of their talent, I offer experience of the monstrous object of their gibes and imagination. To me, the old war novels have the atmosphere of smoke powder and antiquated tactics which still survived when I went on my first campaign sixteen years ago. These classic masterpieces endure through their genius; the excuse of any plodder who chooses their theme to-day is that he deals with the material of to-day.