The Last Twelve Verses of the Gospel According to S. MarkBurgon, John William
Religion
The Last Twelve Verses of the Gospel According to S. Mark
Burgon, John William
Bible. Mark XVI, 9-20 -- Criticism, Textual
2. Surely, a new and unexpected light already begins to dawn upon this
subject! How is it that we paid so little attention before to the terms in
which this ancient Father delivers his evidence, that we overlooked the
import of an expression of his which from the first must have struck us as
peculiar, but which _now_ we perceive to be of paramount significancy?
Eusebius is pointing out that _one_ way for a man (so minded) to get rid
of the apparent inconsistency between S. Mark xvi. 9 and S. Matth. xxviii.
1, would be for him to reject the entire “Ecclesiastical Lection”(433) in
which S. Mark xvi. 9 occurs. Any one adopting this course, (he proceeds;
and it is much to be noted that Eusebius is throughout delivering the
imaginary sentiments of another,—not his own:) Such an one (he says) “will
say that it is _not met with in all_ the copies of S. Mark’s Gospel. The
accurate copies, at all events,”—and then follows an expression in which
this ancient Critic is observed ingeniously to accommodate his language to
the phenomenon which he has to describe, so as covertly to insinuate
something else. Eusebius employs an idiom (it is found elsewhere in his
writings) sufficiently colourless to have hitherto failed to arouse
attention; but of which it is impossible to overlook the actual design and
import, after all that has gone before. He clearly _recognises the very
phenomenon to which I have been calling __ attention_ within the last two
pages, and which I need not further insist upon or explain: viz. that _the
words_ ΤΟ ΤΕΛΟΣ _were_ in some very ancient (“_the accurate_”) copies
_found written after_ ἐφοβοῦντο γάρ: although to an unsuspicious reader
the expression which he uses may well seem to denote nothing more than
that the second Gospel _generally came to an end_ there.
Public-domain text, read in full here on John Shaqi.
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