The Last Vendée; or, the She-Wolves of MachecoulDumas, Alexandre
History
The Last Vendée; or, the She-Wolves of Machecoul
Dumas, Alexandre
Berry, Marie-Caroline de Bourbon-Sicile, duchesse de, 1798-1870 -- Fiction; France -- History -- Louis Philippe, 1830-1848 -- Fiction
Now it so happened that, during the time which had elapsed between the
departure of the nurse and the arrival of Jean Oullier, the weather
had been rainy. The marquis, confined to the castle, felt terribly
bored. Feeling bored, he sent for his daughters and began to play with
them. Putting one astride his neck, and perching the other on his
back, he was soon galloping on all fours round the room, like Henri of
Navarre. Only, he improved on the amusement which his Majesty afforded
his progeny by imitating with his mouth not only the horn of the
hunter, but the barking and yelping of the whole pack of hounds. This
domestic sport diverted the Marquis de Souday immensely, and it is
safe to say that the little girls had never laughed so much in their
lives.
Besides, the little things had been won by the tenderness and the
petting their father had lavished upon them during these few hours, to
appease, no doubt, the reproaches of his conscience at sending them
away from him after so long a separation. The children, on their side,
showed him a frantic attachment and a lively gratitude, which were not
a little dangerous to the fulfilment of his plan.
In fact, when the carriole came, at eight o'clock in the morning, to
the steps of the portico, and the twins perceived that they were about
to be taken away, they set up cries of anguish. Bertha flung herself
on her father, clasped his knees, clung to the garters of the
gentleman who gave her sugar-plums and made himself such a capital
horse, and twisted her little hands into them in such a manner that
the poor marquis feared to bruise her wrists by trying to unclasp
them.
As for Mary, she sat down on the steps and cried; but she cried with
such an expression of real sorrow that Jean Oullier felt more touched
by her silent grief than by the noisy despair of her sister. The
marquis employed all his eloquence to persuade the little girls that
by getting into the carriage, they would have more pleasure and more
dainties than by staying with him; but the more he talked, the more
Mary cried and the more Bertha quivered and passionately clung to him.
The marquis began to get impatient. Seeing that persuasion could do
nothing, he was about to employ force when, happening to turn his
eyes, he caught sight of the look on Jean Oullier's face. Two big
tears were rolling down the bronzed cheeks of the peasant into the
thick red whiskers which framed his face. Those tears acted both as a
prayer to the marquis and as a reproach to the father. Monsieur de
Souday made a sign to Jean Oullier to unharness the horse; and while
Bertha, understanding the sign, danced with joy on the portico, he
whispered in the farmer's ear:--
"You can start to-morrow."
Public-domain text, read in full here on John Shaqi.
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