The Late Miss HollingfordGilbert, Rosa M. (Rosa Mulholland)
General
The Late Miss Hollingford
Gilbert, Rosa M. (Rosa Mulholland)
Ireland -- Fiction
I soon got tired of this, for I could not think without conjuring up my
familiar wonders and forebodings, and these must be kept in the
background in order that I might conduct myself properly in this house.
I opened my door and looked around me. I knew the place well, but I did
not care to be seen roaming about before I had received a welcome from
my host or hostess. Weariness enabled me to overcome this difficulty,
and I presently found myself in the gallery where the pictures hung and
the curiosities were displayed in their cabinets; where chairs were
placed for people to sit upon, and screens erected to keep away the
draughts; and where the light from the dome in the roof fell mellowly
over the knight made of armour, who stood quite at the end of the
gallery, near a narrow staircase which led down to the back premises of
the house. This knight was an old friend. Mopsie had been very fond of a
nook formed by the angle of the wall at his back, and in the days of our
"readings" had dragged a deep-seated arm-chair from a near room, and
arranged a tall light screen behind his shoulders, forming a tiny
triangular chamber. When I came upon this retreat now I took possession
of it, for it was a pleasant place to sit in. The massive helmet of the
knight on his pedestal soared above the top of the screen, and stood out
in bold relief against the soft brilliance of the painted dome. I seated
myself in Mopsie's chair, and drew a little book from my pocket. In this
little book John had copied out for me some sweet quaint rhymes which
were favourites of his and mine, and because I had thought the writing
and the writer could never be glorified enough, I had wrought round the
margin of the pages a border of fanciful arabesque, which I had filled
in with colours and gold.
I turned over the pages absently. By and by I heard footsteps coming
down the gallery, and voices drawing near me. I hoped that, whoever the
people were, they might pass on without perceiving me. I did not like
the idea of strangers peeping in behind the screen and wondering who I
could be. But the people came nearer, still conversing in low earnest
tones, the sound of which made me start and wonder. They came up to the
screen, which was just at the end of the gallery, and stopped there as
people will pause at the extremity of a walk before they turn to retrace
their steps. And it seemed as if my heart paused with them, for the
speakers were Rachel Leonard and John Hollingford, and this was the
conversation I heard:
"I think you are very unkind, John," said Rachel; and she spoke
sullenly, and as if she had been crying. "I only ask you not to hurry
me, to give me time, and you complain as if I had refused altogether."
"I do not understand why you should want time," replied John; "if what
you have told me is true, if what you have promised is in good faith, I
do not see why you should delay making everything known."
Public-domain text, read in full here on John Shaqi.
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