European literature -- Renaissance, 1450-1600 -- History and criticism; Renaissance; Spanish literature -- History and criticism
This old or troubadour school did not give up the field to the new
Italian influence without a struggle. Its models continued to be
imitated nearly all through the sixteenth century. It was praised
and regretted by Lope de Vega and Cervantes. Boscan and Garcilaso
found an opponent and a critic in Cristobal de Castillejo, a very
fluent verse-writer, a most worthy man, and a loyal servant of the
house of Austria, who died in exile at Vienna in 1556. El buen de
Castillejo--the good Castillejo, as he is commonly called, with
condescending kindness--was an excellent example of the stamp of
critic, more or less common in all times, who judges of poetry
exclusively by his own stop-watch. He condemned Boscan and Garcilaso,
not for writing bad poetry, but for not writing according to what he
considered the orthodox model. The new school not unnaturally retorted
by wholesale condemnation of the old. When Hernan, or Fernan, de
Herrera published his edition of Garcilaso in 1572, he was rebuked for
quoting Juan del Encina in the commentary. A pamphleteer, believed to
have been no less a person than the Admiral of Castile, whose likeness
may be seen in the National Portrait Gallery among the ambassadors who
signed the peace at the beginning of the reign of James I., laughed
at Herrera for quoting as an authority one who had become a name for
a bad poet. This was pedantry as bad as Castillejo’s, and represented
an opinion never generally accepted by the Spaniards. They continued
to read the collections of ancient verse called _Cancioneros_, even
when the new school was at the height of its vigour. The _Cancioneros
Generales_ of Hernan del Castillo, the great storehouse of the poetry
of the fifteenth century, was reprinted, with some changes, no less
than nine times between 1511 and 1573. The extreme rarity of copies of
these numerous editions proves that they must have been well thumbed to
pieces by admiring readers. Yet they constitute no inconsiderable body
of literature. The modern reprint issued (unfortunately only to its own
members) by the Sociedad de Bibliófilos Españoles is in two weighty
volumes.
[SN: _The romances._]
Public-domain text, read in full here on John Shaqi.
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