European literature -- Renaissance, 1450-1600 -- History and criticism; Renaissance; Spanish literature -- History and criticism
interesting fact is that at a time when classic, or at least new
influences, born of the Renaissance, were carrying all before them in
France and England, and in Italy had long ago definitively conquered,
the Spaniards did not wholly part with their inheritance from the
Middle Ages.
The few ballads, and fragments of ballads, printed by Hernan del
Castillo in 1511, proved so popular that an editor was tempted to form
a special collection. The place and date of this first ballad-book
proper are both significant.[1] It appeared at Antwerp in or about
1546--that is to say, three years or so after the first edition of
the poems of Boscan and Garcilaso. The editor was one Martin Nucio.
Antwerp, be it observed, was always a great publishing place for
Spanish books, a fact which may be accounted for, not only by the
political connection between Spain and the Low Countries, the number of
Spaniards employed there in various capacities, as soldiers, officials,
or traders, and the then extensive use of their language, but also by
the superiority of the Flemish printers. That same carelessness of form
which is found in the Spaniard’s literature followed him in lesser
arts, where neatness of handling was more necessary than spirit and
creative faculty. He was, at any rate in the sixteenth and seventeenth
centuries, rarely a good engraver, and hardly ever a good printer.
The _Cancionero de Romances_, brought out, it may be, primarily for
the pleasure of the Spaniards scattered over Flanders and Germany, was
soon reprinted in Spain, by one Estéban de Najera, at Saragossa. These
contemporary collections are not quite identical, but essentially the
same. This _Cancionero_, or _Sylva, de Romances_ met with a reception
which proved how strong a hold his indigenous verse had on the
Spaniard. Three editions, with corrections and additions, appeared by
1555. The latest of these was not reprinted until well into the next
century. In the meantime other editors had followed Nucio and Najera.
A _Romancero_ in nine parts appeared at places so far distant from
one another as Valencia, Burgos, Toledo, Alcalá, and Madrid, between
1593 and 1597. This again grew into the great _Romancero General_ of
1604-1614, wherein there are a thousand ballads.
[SN: _The quality of this poetry._]
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