European literature -- Renaissance, 1450-1600 -- History and criticism; Renaissance; Spanish literature -- History and criticism
In order to appreciate the full merit of the _Satyre Ménippée_, the
reader must call to mind that after the murder of Henry III. his
cousin of Navarre became King of France by inheritance. Henry IV. had
the support not only of his own subjects and the Huguenots, but of
the “Politiques,”--the moderate men, as we might say, among the Roman
Catholics. The ardent partisans of the Church turned against him, and
banded themselves with the princes of the house of Guise. The Catholic
League, which had been first founded by Gaspard de Saulx-Tavannes
nearly thirty years before, after the conspiracy of Amboise, was
extended, and became a great organisation for the purpose of setting
aside the heretic King of Navarre, and putting some assured Romanist
on the throne. In reality it was little more than a cloak for the
ambition of the Guises, and the partisans who saw a chance of profiting
by anarchy. It had the support of the King of Spain. Paris was held,
partly by the help of the more fanatical Roman Catholic clergy and
the mob, partly by a so-called Spanish garrison--Moors, Neapolitans,
and what not--made up out of the sweepings of Philip II.’s army. Even
the conversion of Henry did not disarm the League. It called a sham
meeting of the Estates of the realm to debate the question of setting
him aside. At this moment a body of men in Paris combined to assail
these so-called États with ridicule; and when we remember how brutally
the “Guisards” had disposed of opponents and critics, it is hard to
exaggerate the courage they showed.
[SN: _Its authors._]
Public-domain text, read in full here on John Shaqi.
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