European literature -- Renaissance, 1450-1600 -- History and criticism; Renaissance; Spanish literature -- History and criticism
Although the reasons for the course taken with the literature of Spain
are given in the text, they may be repeated here by way of preliminary
excuse. It has been decided to treat the Spaniards as an example of the
overlapping necessary to the satisfactory carrying out of a series in
periods. I have begun with them earlier than with others, have ended
with them later, and have as far as space permitted treated them as
a whole. For this there is what appears to me to be a sound critical
reason. Although Spain undoubtedly belongs to Europe, yet there is in
her something which is not quite European. The Spaniards, though they
have always been, and are, vigorous and interesting, have a certain
similarity to some oriental races. This is not the place for an essay
on the Spanish national character. The comparison is only mentioned as
a justification for pointing out that, like some oriental races, the
Spaniards have had one great period of energy. At no time have they
been weak, and to-day they can still show a power of resistance and
a tenacity of will which promise that if ever the intellect of the
nation revives, they will again play a great part in the world. But
it is none the less a matter of fact that, except during their one
flowering time, they have not been what can be called great. From the
fifteenth century till well into the seventeenth, those defects in the
national character, which have kept the Spaniards stationary and rather
anarchical, were in abeyance. The qualities of the race were seen at
work on a vast stage, doing wonderful things in war, colonisation, art,
and letters. Yet the very reason that the Spaniard was then exercising
his faculties to the full extent to which they would go, gives a
complete unity to his Golden Age. It cannot be divided in any other
than a purely arbitrary way. England and France were destined to grow
and develop after the Later Renaissance. Tasso and Bruno were the last
voices of a great Italian time. But Spain suspended the anarchy of her
middle ages at the end of the fifteenth century, gathered force, burst
upon the world with the violence of a Turkish invasion, flourished
for a space, and then sank exhausted at the end of a hundred and fifty
years.
Public-domain text, read in full here on John Shaqi.
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