European literature -- Renaissance, 1450-1600 -- History and criticism; Renaissance; Spanish literature -- History and criticism
of the Spanish drama, that for a short time it sheltered, encouraged,
and may have helped to determine, the course of the Phœnix of wits,
the Wonder of Nature, the fertile among all the most fertile, the once
renowned, the then unjustly depreciated, but the ever-memorable Lope
de Vega.
If a writer is to be judged by his native force, his originality, the
abundance of his work, the effect he produced on the literature of his
country, and his fame in his own time, then Lope, to give him the name
by which he was and is best known to his countrymen, must stand at the
head of all Spain’s men of letters.[30]
If it is a rule admitting of no exception that the critic or historian
of literature should have read all his author, then I at least must
confess my incapacity to speak of this famous writer. Yet, encouraged
by a firm conviction that there never lived nor does live, or at any
future period will live, anybody who has achieved or will achieve this
feat, being, moreover, persuaded, for reasons to be given, that it is
not necessary to be achieved, I venture to go on.
[SN: _Lope de Vega’s life._]
Lope Felix de Vega Carpio came of a family which originally belonged
to the “mountain,” the hill country of northern and north-western
Spain, which never submitted to the Moor. His father was “hidalgo de
ejucatoria,”--that is, noble by creation,--but his mother was of an
old family, and both came from the valley of Carriedo in Asturias.
He was born at Madrid on 25th November 1562. His life is known
with exceptional fulness, partly because many passages of his works
are avowedly biographical, partly because a number of his letters,
addressed to his patron in later years, the Duke of Sessa, have been
preserved. It would be better for Lope’s reputation if he had been
more reticent, or his patron more careless. As it is, we know not only
that he passed a stormy youth, but that in his later years he was an
unchaste priest. His father died when he was very young, and he was
left to the care of an uncle, the Inquisitor Don Miguel de Carpio.
The Jesuits had the honour of educating him, among the many famous
men trained in their schools. It is recorded by his biographers, and
we can believe it, that he was very precocious. At five he could read
Latin, and had already begun to write verses. After running away in a
boyish escapade, he was attached as page to Gerónimo Manrique, Bishop
of Ávila, who sent him to the University of Alcalá de Henares, the
native town of Cervantes. From the account given of his youth in the
excellently written dialogue story _Dorotea_, he appears to have been
a mercenary lover, even according to the not very delicate standard of
his time. His adventures were unsavoury, and not worth repeating. It
is enough that, both before he took orders and in later life when he
was tonsured and had taken the full vows, he presented a combination,
not unknown at any time or in any race, but especially common on both
Public-domain text, read in full here on John Shaqi.
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