European literature -- Renaissance, 1450-1600 -- History and criticism; Renaissance; Spanish literature -- History and criticism
An exception must, however, be made for the _Gran Tacaño_--‘The Great
Sharper,’ Paul of Segovia, by Quevedo.[44] Don Francisco Gomez de
Quevedo y Villegas, Señor de la Torre de Juan Abad (1580-1645), was
a very typical Spaniard of those who came from “the mountain,” and
lived an agitated life in the Spain of the seventeenth century. He
served under the once famous Duke of Osuna, viceroy of Sicily and
Naples, was implicated in the mysterious conspiracy against Venice,
and finally suffered from the hostility of the Count Duke of Olivares.
In literature he is still the shadow of a great name as poet, scholar,
and satirist. Among his countrymen his memory is still popular as the
hero of innumerable stories of much the same kind as those told in
Scotland of Buchanan, and in France of Rabelais. For his sake _Pablo
de Segovia_ may be mentioned, and also because it is the _Novela
de Pícaros_ as the Spaniards wrote it, stripped of the last rag of
whatever could disguise its essential hard brutality. If you can gloat
over starvation--if the hangman expatiating joyfully over halters and
lashes seems a pleasant spectacle to you--if blows, falls, disease,
hunger, dirt, and every form of suffering, told with a loud callous
laugh, and utterly unrelieved, seem to you worth reading about, then
_Pablo de Segovia_ is much at your service. But Quevedo did other than
this. Some of his satiric verse has life, and if not gaiety, still a
species of bitter jocularity; and moreover, he gave a new employment
to the _gusto picaresco_ in his _Visions_. These once world-renowned
satires are composed of such matter as the vices of lawyers, doctors,
police-officers, unfaithful wives, complacent husbands, &c. To those
who wish to master the Castilian language in all its resources they are
invaluable, and it is in itself so fine that we can endure much to gain
access to its treasures. But it is possible to gain a quite accurate
understanding of Quevedo by reading the translation and amplification
of his _Visions_ by our own Sir Roger L’Estrange. Then, just in order
to see where this spirit and this method lead, it is not a waste of
time to go on to Ned Ward. There was something very congenial to
the Restoration in the Spanish _gusto picaresco_, and that is its
sufficient condemnation. Yet it did supply Le Sage with what he might
not have been able to elaborate for himself, and thereby it contributed
to the gaiety and the wisdom of nations.
[SN: _Cervantes._]
Public-domain text, read in full here on John Shaqi.
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