Chicago, 1874, Auburn, 1876, Altoona, 1878, and Bloomfield, 1882, were his subsequent pastorates; and in Bloomfield he remained until his death. In this New Jersey suburb of New York City he seemed to find himself especially at home. It was indeed the home of his early boyhood, for his father had been pastor of the same church from 1847 to 1852; he well remembered his playmates and schoolmates, and kept up his acquaintance by correspondence and visits, until he came among them as their pastor. He was near enough to the great city to find easy access to its libraries, especially the Astor Library and that of Union Seminary, and to enjoy the friendship of scholars of tastes similar to his own, especially that of Dr. Charles S. Robinson. He found a congenial people in his congregation. He took a lively interest in matters relating to the welfare of the town, was an active member of the Village Improvement Association, labored hard to establish a public library, and helped to set on foot a good weekly paper. He became Chaplain of the Fire Company, and preached a special sermon every year to its members. He spoke always with enthusiasm of his new environment, and seemed to look forward to many happy and useful years there. His home life, I shall only say, was especially happy and helpful to him. Among his delights was to watch the dawning powers of a daughter, who inherits all her father’s poetic gifts. His best poetical work is still unpublished, except such parts of it as have appeared in the _Sunday-School Times_ and other weeklies. His first venture was _The Heavenly Land, from the Rhythm of Bernard of Morlaix_ (New York, 1867). His second and most characteristic book was _Warp and Woof: A Book of Verse_ (1868), in which “Undergraduate Orioles” and some other pieces at once attracted attention by their felicitous beauty and genuineness. Along with his father, he prepared _The Burial of the Dead_ (1882), a manual for use at funerals. In the long interval between these two dates he was already laboring at his book on the Latin hymn-writers. “During the years 1882-85,” writes Miss Day, “those of us who saw him most frequently on his way to and from the New York libraries came to recognize a large, square note-book and a green cloth bag as his inseparable Monday companions. Something of their contents we knew, for with his genial disposition he could not refrain from quoting snatches of the old Latin hymns with translations into musical English. But no one could appreciate the real worth of the knowledge concealed between cloth and board as did the student himself, who had spent the hours of leisure snatched from professional labors in the libraries, and among Latin quartos and folios, in search of the materials for his book. During the latter part of 1885 the Latin hymn-writers were laid aside for a while to give time for his work on _English Hymns: Their Authors and History_ (New York: Funk & Wagnalls, 1886),” which was suggested by