The Laughing Cavalier: The Story of the Ancestor of the Scarlet PimpernelOrczy, Emmuska Orczy, Baroness
History
The Laughing Cavalier: The Story of the Ancestor of the Scarlet Pimpernel
Orczy, Emmuska Orczy, Baroness
Adventure stories; Historical fiction; Netherlands -- History -- 17th century -- Fiction
In the fog that hung thickly in the narrow street it was at first
difficult to distinguish exactly what was going on. Certain it is that a
fairly dense crowd, which swelled visibly every moment as idlers joined
in from many sides, had congregated at the corner of Dam Straat, there
where a couple of resin torches fixed in iron brackets against a tall
stuccoed wall, shed a flickering and elusive light on the forms and
faces of a group of men in the forefront of the throng.
The faces thus exposed to view appeared flushed and heated--either with
wine or ebullient temper--whilst the upraised arms, the clenched fists
and brandished staves showed a rampant desire to do mischief.
There was a low postern gate in the wall just below the resin torches.
The gate was open and in the darkness beyond vague, moving forms could
be seen huddled together in what looked like a narrow, unlighted
passage. It was from this huddled mass of humanity that the wails and
calls for divine protection proceeded, whilst the laughter and the
threats came from the crowd.
From beneath three broad-brimmed hats there once more came three
distinct chuckles of delight and three muffled figures hugged naked
swords more tightly under their cloaks.
CHAPTER II
THE FRACAS BY THE POSTERN GATE
Thus am I proved right in saying that but for the conglomeration of
minor circumstances within the past half hour, the great events which
subsequently linked the fate of a penniless foreign adventurer with that
of a highly honourable and highly esteemed family of Haarlem never would
or could have occurred.
For had the three philosophers adhered to their usual custom of retiring
to the warmth and comfort of the "Lame Cow," situate in the Kleine Hout
Straat, as soon as the streets no longer presented an agreeable lolling
place, they would never have known of the tumult that went on at this
hour under the very shadow of the cathedral.
But seeing it all going on before them, what could they do but join in
the fun?
The details of the picture which had the low postern gate for its
central interest were gradually becoming more defined. Now the figure of
a woman showed clearly under the flickering light of the resin torches,
a woman with rough, dark hair that hung loosely round her face, and bare
arms and legs, of which the flesh, blue with cold, gleamed weirdly
against the dark oak panelling of the gate.
She was stooping forward, with arms outstretched and feet that vainly
tried to keep a foothold of the ground which snow and frost had rendered
slippery. The hands themselves were not visible, for one of them was
lost in the shadows behind her and the other disappeared in the grip of
six or eight rough hands.
Public-domain text, read in full here on John Shaqi.
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