The Laughter of Peterkin: A retelling of old tales of the Celtic Wonderworld — John Shaqi
The Laughter of Peterkin: A retelling of old tales of the Celtic WonderworldSharp, William
General
The Laughter of Peterkin: A retelling of old tales of the Celtic Wonderworld
Sharp, William
Celts -- Folklore; Fantasy literature
Peterkin never loved Eilidh so well as when she sang; but he was
sorrowful to-night when he saw that the song brought tears into her
eyes.
“Eilidh,” he whispered.
“Yes, Peterkin, dear.”
“Wouldn’t you be liking to kiss Ian?”
Eilidh laughed low, a faint flush coming and going upon her face.
“For why, boykin?”
“Oh, I know that whenever you have tears in your eyes Ian can chase
them away. I have seen him kiss you when you are tired.”
At this Ian Mor rose and lifted Peterkin in his arms.
“Eilidh is thinking of something sad, Peterkin; that is all. See, she
is smiling now, and laughing too by the same token.” The boy tossed his
curls, and with a roguish smile added:
“Ah, that is just because I said she wanted to kiss you.”
“You’re much too wise, Peterkin. But there, down with you! Now run to
the door, and tell me if it is still raining.”
Peterkin never could go straight anywhere, for his progress was ever
like that of a kid or lambkin, a series of jumps and little sudden
runs. No sooner was he gone, than Ian turned to Eilidh, and took her in
his arms.
“Sweetheart,” he whispered, “that little burst o’ sunshine is right. A
kiss from your lips is the best thing to chase away the tears. But why
are you sad, mochree?”
“I was thinking of the sorrow of old Lir; and how little it matters
whether one live fifty years or five hundred, as these old Dedannans
did. Then suddenly the thought flashed across me that some day soon we
should lose Peterkin: he too will become a wild swan, and it will be we
who shall hear the far-off singing of his laughing childhood.”
“Perhaps he will take his childhood with him into manhood, dear. Let
him look often into your beautiful eyes, Eilidh, and the little one
will learn much without knowing that he is learning. And then, too,
to be near you: why, that is to be a child always deep down, and to
have sunshine in the heart and mind--for have you forgotten your name,
‘Sunshine’?”
As he spoke, Ian Mor leaned and kissed her. Puzzled at the sudden
radiant smile on her face, he looked round. There was Peterkin, sitting
squatted on the hearth, with an impish smile in his blue eyes. He had
crawled behind the hanging curtain at the door, and unseen and unheard
gained the fireside.
With a joyous laugh he sprang to his feet.
“Ah, Ian, you and your rain! Is it not hearing you are? It’s on the
window as if the brownies were throwing little wee stones. It was not
the rain you were wanting, but only a kiss from Eilidh! Now, Eilidh,
tell me true?”
“Tell you true, Blumpits. Why----”
But here Peterkin, overcome by some sudden memory suggested by the pet
name which Eilidh sometimes gave him, went dancing round the room,
laughing and chuckling by turns, and once and again clapping his hands
in elfin glee.
“Eilidh, Eilidh,” he cried, “do tell me again that story of Blumpits
and the Bunnywig.”
Ian looked puzzled.
“What’s a bunnywig, Blumpits?”
Public-domain text, read in full here on John Shaqi.
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