The Laughter of Peterkin: A retelling of old tales of the Celtic WonderworldSharp, William
General
The Laughter of Peterkin: A retelling of old tales of the Celtic Wonderworld
Sharp, William
Celts -- Folklore; Fantasy literature
But just as they soared over the shoulder of Knoc-na-Shee, Fionula
uttered a piercing cry.
There indeed was the valley where Lir long, long ago had made his home.
But now there was not a single wreath of smoke rising to the sky, not a
single cow lowed in the pastures, neither man nor woman nor child moved
to and fro. Nay, there were not even any houses. All had gone. Amid the
desolate place rose the gaunt, dishevelled ruins of Lir’s great dun;
its halls empty and roofless, or tenanted only by the rank grass and
tall companies of nettles.
“Alas!” cried Aed, “for the omen of the stag staring idly on Shee
Finnaha, and for that of the hill-fox and the wolf prowling in the Glen
of the White Water.”
But Fionula could speak no word, for her heart was breaking.
For long they crouched silent amid the desolation of that ruined place.
Thrice three hundred years had passed since they had played in front of
the house of Lir: beneath yonder ruined wooden arch they had set forth
with Aeifa on that ill-fated journey.
The dusk came. Still the four children of Lir crouched silent amid the
ruined desolation which was all that remained of lordly Shee Finnaha.
The wolf prowled near, but turned away the flame of his yellow eyes,
for he feared those who crouched there and had the voices of the human
kind. The bats and owls alone paid no heed.
When the stars glistened in the sky, and the moon rose, and on the
night wind there was not the lowing of a cow or the barking of a
dog, or any sound whatsoever, save from the rustling forest and the
murmuring stream, Fionula and Aed and Fiachra and Conn fell into a
bitter sobbing and a long, mournful keen, that rose into the hills
with plaintive echoes.
When the day broke, each told the other that they could no longer stay
in Shee Finnaha. That desolation was now to them more bitter than
the wilderness of the bleak seas of the Moyle. While they were still
speaking thus sorrowfully, Conn descried an old man--so old and worn
that his hair hung about his wrinkled face like thistledown, so white
and bleached was it. He carried a small harp, but in his eyes was the
look of one who saw only far into the mind and never from the mind
outward.
“Who art thou, O stranger?” Conn asked.
The man looked at the swan that spoke to him in human speech, and in
the sweet, familiar tongue of the Gael.
Public-domain text, read in full here on John Shaqi.
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