The Laurel Bush: An Old-Fashioned Love StoryCraik, Dinah Maria Mulock
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The Laurel Bush: An Old-Fashioned Love Story
Craik, Dinah Maria Mulock
Fiction; Love stories
I am afraid that this Fortune Williams will be considered a very
weak-minded young woman. She was not a bit a coquette, she had not the
slightest wish to flirt with any man. Nor was she a proud beauty
desirous to subjugate the other sex; and drag them triumphantly at her
chariot wheels. She did not see the credit, or the use, or the pleasure
of any such proceeding. She was a self-contained, self-dependent woman.
Thoroughly a woman; not indifferent at all to womanhood's best blessing;
still she could live without it if necessary, as she could have lived
without anything which it had pleased God to deny her. She was not a
creature likely to die for love, or do wrong for love, which some people
think the only test of love's strength, instead of its utmost weakness;
but that she was capable of love, for all her composure and quietness,
capable of it, and ready for it, in its intensest, most passionate, and
most enduring form, the God who made her knew, if no one else did.
Her time would come; indeed, had come already. She had too much
self-respect to let him guess it, but I am afraid she was very fond
of--or, if that is a foolish phrase, deeply attached to--Robert Roy.
He had been so good to her, at once strong and tender, chivalrous,
respectful, and kind; and she had no father, no brother, no other man
at all to judge him by, except the accidental men whom she had met in
society, creatures on two legs who wore coats and trousers, who had been
civil to her, as she to them, but who had never interested her in the
smallest degree, perhaps because she knew so little of them. But no; it
would have been just the same had she known them a thousand years. She
was not "a man's woman," that is, one of those women who feel interested
in any thing in the shape of a man, and make men interested in them
accordingly, for the root of much masculine affection is pure vanity.
That celebrated Scottish song,
"Come deaf, or come blind, or come cripple,
O come, ony ane o' them a'!
Far better be married to something,
Than no to be married ava,"
was a rhyme that would never have touched the stony heart of Fortune
Williams. And yet, let me own it once more, she was very, very fond of
Robert Roy. He had never spoken to her one word of love, actual love, no
more than he spoke now, as they stood side by side, looking with the same
eyes on the same scene. I say the same eyes, for they were exceedingly
alike in their tastes. There was no need ever to go into long
explanations about this or that; a glance sufficed, or a word, to show
each what the other enjoyed; and both had the quiet conviction that they
were enjoying it together. Now as that sweet, still, sunshiny view met
their mutual gaze, they fell into no poetical raptures, but just stood
and looked, taking it all in with exceeding pleasure, as they had done
many and many a time, but never, it seemed, so perfectly as now.
"What a lovely afternoon!" she said at last.
Public-domain text, read in full here on John Shaqi.
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