England -- Social life and customs -- 19th century -- Fiction; Married people -- Fiction; Mystery fiction
I went to the window. The sun was just rising over the calm gray sea.
For a while the majestic spectacle before me exercised a tranquilizing
influence on the irritable condition of my nerves. But ere long the old
restlessness returned upon me. I walked slowly to and fro in the room,
until I was weary of the monotony of the exercise. I took up a book, and
laid it aside again. My attention wandered; the author was powerless
to recall it. I got on my feet once more, and looked at Eustace, and
admired him and loved him in his tranquil sleep. I went back to the
window, and wearied of the beautiful morning. I sat down before the
glass and looked at myself. How haggard and worn I was already, through
awaking before my usual time! I rose again, not knowing what to do next.
The confinement to the four walls of the room began to be intolerable
to me. I opened the door that led into my husband’s dressing-room, and
entered it, to try if the change would relieve me.
The first object that I noticed was his dressing-case, open on the
toilet-table.
I took out the bottles and pots and brushes and combs, the knives and
scissors in one compartment, the writing materials in another. I smelled
the perfumes and pomatums; I busily cleaned and dusted the bottles
with my handkerchief as I took them out. Little by little I completely
emptied the dressing-case. It was lined with blue velvet. In one corner
I noticed a tiny slip of loose blue silk. Taking it between my finger
and thumb, and drawing it upward, I discovered that there was a false
bottom to the case, forming a secret compartment for letters and papers.
In my strange condition--capricious, idle, inquisitive--it was an
amusement to me to take out the papers, just as I had taken out
everything else.
I found some receipted bills, which failed to interest me; some letters,
which it is needless to say I laid aside after only looking at the
addresses; and, under all, a photograph, face downward, with writing on
the back of it. I looked at the writing, and saw these words:
“To my dear son, Eustace.”
His mother! the woman who had so obstinately and mercilessly opposed
herself to our marriage!
I eagerly turned the photograph, expecting to see a woman with a stern,
ill-tempered, forbidding countenance. To my surprise, the face showed
the remains of great beauty; the expression, though remarkably firm,
was yet winning, tender, and kind. The gray hair was arranged in rows
of little quaint old-fashioned curls on either side of the head, under a
plain lace cap. At one corner of the mouth there was a mark, apparently
a mole, which added to the characteristic peculiarity of the face.
I looked and looked, fixing the portrait thoroughly in my mind. This
woman, who had almost insulted me and my relatives, was, beyond all
doubt or dispute, so far as appearances went, a person possessing
unusual attractions--a person whom it would be a pleasure and a
privilege to know.
Public-domain text, read in full here on John Shaqi.
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