England -- Social life and customs -- 19th century -- Fiction; Married people -- Fiction; Mystery fiction
“Cunegonda,” he resumed, “takes from its place of concealment in
her bosom a written paper, and unfolds it. ‘Look at this,’ she says.
Damoride looks at the paper, and sinks again at her mistress’s feet in a
paroxysm of horror and despair. Cunegonda is in possession of a shameful
secret in the maid’s past life. Cunegonda can say to her, ‘Choose
your alternative. Either submit to an exposure which disgraces you
and--disgraces your parents forever--or make up your mind to obey Me.’
Damoride might submit to the disgrace if it only affected herself. But
her parents are honest people; she cannot disgrace her parents. She is
driven to her last refuge--there is no hope of melting the hard heart of
Cunegonda. Her only resource is to raise difficulties; she tries to show
that there are obstacles between her and the crime. ‘Madam! madam!’ she
cries; ‘how can I do it, when the nurse is there to see me?’ Cunegonda
answers, ‘Sometimes the nurse sleeps; sometimes the nurse is away.’
Damoride still persists. ‘Madam! madam! the door is kept locked, and the
nurse has got the key.’”
The key! I instantly thought of the missing key at Gleninch. Had he
thought of it too? He certainly checked himself as the word escaped him.
I resolved to make the signal. I rested my elbow on the arm of my chair,
and played with my earring. Benjamin took out his pencil and arranged
his note-book so that Ariel could not see what he was about if she
happened to look his way.
We waited until it pleased Miserrimus Dexter to proceed. The interval
was a long one. His hand went up again to his forehead. A duller and
duller look was palpably stealing over his eyes. When he did speak, it
was not to go on with the narrative, but to put a question.
“Where did I leave off?” he asked.
My hopes sank again as rapidly as they had risen. I managed to answer
him, however, without showing any change in my manner.
“You left off,” I said, “where Damoride was speaking to Cunegonda--”
“Yes, yes!” he interposed. “And what did she say?”
“She said, ‘The door is kept locked, and the nurse has got the key.’”
He instantly leaned forward in his chair.
“No!” he answered, vehemently. “You’re wrong. ‘Key?’ Nonsense! I never
said ‘Key.’”
“I thought you did, Mr. Dexter.”
“I never did! I said something else, and you have forgotten it.”
I refrained from disputing with him, in fear of what might follow. We
waited again. Benjamin, sullenly submitting to my caprices, had taken
down the questions and answers that had passed between Dexter and
myself. He still mechanically kept his page open, and still held his
pencil in readiness to go on. Ariel, quietly submitting to the drowsy
influence of the wine while Dexter’s voice was in her ears, felt
uneasily the change to silence. She glanced round her restlessly; she
lifted her eyes to “the Master.”
Public-domain text, read in full here on John Shaqi.
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