England -- Social life and customs -- 19th century -- Fiction; Married people -- Fiction; Mystery fiction
From the moment when I had resigned myself into the hands of the
chambermaid I seemed in some strange way to have lost my ordinary
identity--to have stepped out of my own character. At other times my
temperament was of the nervous and anxious sort, and my tendency was to
exaggerate any difficulties that might place themselves in my way. At
other times, having before me the prospect of a critical interview with
a stranger, I should have considered with myself what it might be wise
to pass over, and what it might be wise to say. Now I never gave
my coming interview with the Major a thought; I felt an unreasoning
confidence in myself, and a blind faith in _him_. Now neither the past
nor the future troubled me; I lived unreflectingly in the present. I
looked at the shops as we drove by them, and at the other carriages as
they passed mine. I noticed--yes, and enjoyed--the glances of admiration
which chance foot-passengers on the pavement cast on me. I said to
myself, “This looks well for my prospect of making a friend of
the Major!” When we drew up at the door in Vivian Place, it is no
exaggeration to say that I had but one anxiety--anxiety to find the
Major at home.
The door was opened by a servant out of livery, an old man who looked as
if he might have been a soldier in his earlier days. He eyed me with
a grave attention, which relaxed little by little into sly approval. I
asked for Major Fitz-David. The answer was not altogether encouraging:
the man was not sure whether his master were at home or not.
I gave him my card. My cards, being part of my wedding outfit,
necessarily had the false name printed on them--_Mrs. Eustace
Woodville_. The servant showed me into a front room on the ground-floor,
and disappeared with my card in his hand.
Looking about me, I noticed a door in the wall opposite the window,
communicating with some inner room. The door was not of the ordinary
kind. It fitted into the thickness of the partition wall, and worked in
grooves. Looking a little nearer, I saw that it had not been pulled out
so as completely to close the doorway. Only the merest chink was left;
but it was enough to convey to my ears all that passed in the next room.
“What did you say, Oliver, when she asked for me?” inquired a man’s
voice, pitched cautiously in a low key.
“I said I was not sure you were at home, sir,” answered the voice of the
servant who had let me in.
There was a pause. The first speaker was evidently Major Fitz-David
himself. I waited to hear more.
“I think I had better not see her, Oliver,” the Major’s voice resumed.
“Very good, sir.”
“Say I have gone out, and you don’t know when I shall be back again. Beg
the lady to write, if she has any business with me.”
“Yes, sir.”
“Stop, Oliver!”
Oliver stopped. There was another and longer pause. Then the master
resumed the examination of the man.
“Is she young, Oliver?”
“Yes, sir.”
“And--pretty?”
“Better than pretty, sir, to my thinking.”
Public-domain text, read in full here on John Shaqi.
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