Attorney and client -- Fiction; Legal stories; Short stories; United States -- Social life and customs -- 20th century -- Fiction
Out from the little church where the families of the pair of lovers
had worshipped in summer time for a generation, the two coffins, piled
high with flowers (Harrington knew them reportorially as caskets),
were borne by the band of pall-bearers, stalwart young intimate
friends, and lifted by the same hands tenderly into the hearse. The
long blackness of their frock-coats and the sable accompaniment of
their silk hats, gloves, and ties appealed to the observant faculties
of Harrington as in harmony both with the high social position of the
parties and the peculiar sadness of the occasion. That a young man and
woman, on the eve of matrimony, and with everything to live for,
should be hurled into eternity (a Harringtonian figure of speech) by a
railroad train at a rustic crossing, while driving, was certainly an
affair heartrending enough to invite every habiliment of woe. As he
thus reasoned Harrington became aware that one of the stalwart young
men was looking at him with an expression which seemed to ask only too
plainly, “What the devil are you doing here?”
As a newspaper man of some years’ standing Harrington was hardened.
Such an expression of countenance was an almost daily experience and
slipped off the armor of his self-respecting hardihood like water off
the traditional duck’s back. When people looked at him like this he
simply took refuge in his consciousness of the necessities of the case
and the honesty of his own artistic purpose. The press must be served
faithfully and indefatigably--boldly, moreover, and at times
officiously, in order to attain legitimate results; yet he flattered
himself that no one could ever say of him that he had “butted in”
where others of his craft would have paused, or was lacking in
reportorial delicacy. Was he not simply doing his professional duty
for hire, like any respectable lawyer or doctor or architect, in order
to support his family? Were he to trouble his head because impetuous
people frowned, his wife, Amelia, and infant son, Tesla, would be the
sufferers--a thought which was a constant stimulus to enterprise. His
“job” required “cheek” perhaps, but nine people out of ten were not
sensible enough to realize that he was a modern necessity, and to ask
themselves, “Is this man doing his work creditably?” There was the
essence of the situation for Harrington, and from the world’s lack of
nice perception he had made for himself a grievance which rendered him
indifferent to ill-considered scowls.
Public-domain text, read in full here on John Shaqi.
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