The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
561. If we consider trees and shrubs no longer under the relation of
the colour of their flowers, but with regard to the manner in which
we may employ their foliage in the decoration of gardens, we shall
perceive that there is only a very small number of contrasts of
scale and hue which we can realize while vegetation is active; yet
in autumn, when plants, losing their leaves before falling, assume
various colours, as red, rose, scarlet, orange, and yellow, these, by
their brilliancy, recall the season of flowers. Most trees and shrubs
present, in the summer season, only the green of their foliage; and,
although this green varies in tone and hue, the differences are always
trifling.
562. _Harmonies of Contrast._—The most decided contrast of colour that
we can establish between the leaves of ligneous plants, is that of
green, with foliage nearest to red. But even the _purple beech_ is more
of a red-brown than a dark _red_, properly so called, for the colour
of leaves results from a mixture of red and green, which, according
to the principle of mixing colours must produce black, if they are
in suitable proportion, or a brown tone of the green or red scale,
according as one or the other colour predominates. The contrast of hue
is established by the assortment of a bluish-green and a yellowish
green of tones unequally high, by the contrast of a bluish-green brown
with a yellowish light green, &c.
563. _Harmonies of Analogy._—Nearly all the masses of various trees
in our landscape gardens present certain harmonies of hues mostly
resulting from associations established according to considerations
foreign to those of the assortment of foliage—an evident result,
remembering (561) that the colours of the leaves of the greater part
of plants are of green belonging to scales more or less allied, and of
tones but little distant from each other.
(_a_) Harmonies of analogy of hues formed of allied tones belonging to
neighbouring scales, are those which it is least difficult to obtain.
(_b_) Arrangements of foliage presenting a series of equidistant tones
of the same scale of green.
ON THE DISTRIBUTION AND PLANTING OF TREES, ETC., IN MASSES.
Public-domain text, read in full here on John Shaqi.
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