The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
564. The principal object of the two following chapters is to supply
a deficiency in works on gardening as to the manner of distributing
and planting trees in masses, &c., the outlines of which have been
previously sketched conformably with precise rules. For authors say
nothing on this subject, and the embarrassment of a landowner who
wishes to plant an estate already planned out, is further increased
by this circumstance, that, in the majority of cases, the author of
the plan of the projected garden, after having defined the lines of
the plantations, indicated the places where isolated trees must be
placed, designated the kinds of trees which should constitute groups,
and others which must enter into the formation of masses with trees
and shrubs (which he does not generally indicate), leaves the care of
planting and other details to ordinary gardeners.
Yet the distribution of trees and shrubs, however easy it may appear,
in a piece of ground otherwise perfectly planned, contributes more
than is generally supposed to the pleasure of a landscape garden, and
presents also more difficulties than to allow of its being effected in
a satisfactory manner, when it is abandoned, as generally happens, to
chance. In fact, if, at the end of a few years, we observe the greater
part of masses planted as they frequently are, we shall be struck with
defects which were not at first perceptible, because we were then under
the influence of the pleasure we always experience at witnessing the
development of plants which have been confided to a carefully prepared
soil; and besides, there are some defects which are only perceptible
after a certain time, such, for example, as that resulting—
1. _From the plants being placed too near together._
2. _From placing, in the front row, clumps which rise too high, or
which lose their lower branches._ Such are the elder tree, and sumach.
565. It was after many years of lost enjoyments, through having planted
without fixed rule, masses otherwise well designed in their contours,
that I was led by my own experience to seek the means of avoiding
similar errors in future. The rules I now give are not the result of
reflection merely; they have been practised many years, and I am much
deceived if those who observe them will not derive great facilities in
their application, and experience from them a lively satisfaction.
566. I will now define several expressions employed to designate the
different associations of plants which may form part of a landscape
garden.
An assemblage of trees and shrubs, occupying a large space, is termed a
_forest_. But in a landscape garden a similar assemblage, or that which
has been arranged to present the appearance of a vast space, is called
a _wood_, if it is composed of trees and underwood; and a _park_, if it
consists of trees only.
[Illustration: ARRANGEMENT OF PLANTS IN LANDSCAPE GARDENING.
PLATE XVIII.]
Public-domain text, read in full here on John Shaqi.
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