The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
636. Finally, to notice the effect which associations of ideas have
on our opinions. For example, he who arrives at Versailles, full of
admiration for the age of Louis XIV., repeoples the gardens with all
the great men that have frequented them, and his thoughts recurring to
the _fêtes_ given by an elegant and polished court, the admiration
of Europe, he will judge the work of Lenôtre more favourably than he
who, without being hostile to the _grand siècle_, will see nothing but
a garden subordinate to a palace. And the Christian who associates in
his mind the architectural form, the brilliancy of the coloured glass,
and the religious ceremonies of the Gothic Church, all which he has
venerated from his childhood, will be in a disposition to prefer the
cathedral of Cologne to that of St. Peter’s at Rome; while the latter
would be associated with the profoundest veneration in the mind of a
Christian of Rome.
ON THE COLOURS OF MILITARY UNIFORMS.
The following section, in which are described the advantages of
contrast with regard to the heightening and purifying of the colour of
cloths for dress, properly belongs to the chapters on clothing, pp.
165, &c. But, as in the present day, the colours of men’s ordinary
dress are not usually very various or strongly contrasted, this portion
of the work has a more special application to military uniforms; the
choice of colours being regulated by the principles laid down and
exemplified throughout the work.
And, independently of economical considerations, the selection and
arrangement of colours for military uniforms demand investigation as
to the prominence or obscurity resulting from their combination, as
well as to their æsthetical effect.
_Of Uniforms composed of Complementary Colours._
By the law of contrast, red and green of similar tone in the same
uniform, will heighten each other. Let us suppose the augmentation of
colour by juxtaposition to equal one-tenth, its optical effect may be
stated as 1¹/₁₀. If a single coloured uniform, by one year’s wear lose
one-tenth of its colour, it is clear that the uniform of the above two
colours after being worn the same time will be as effective as the
single colour was originally.
Similar reasoning may be applied to all colours that are complementary,
as orange and blue, violet and greenish yellow, &c.; it is necessary
however to take into consideration their difference of tone.
Among colours which are not complementary, but which produce an
agreeable contrast, may be mentioned particularly blue and yellow, blue
and scarlet, green and yellow.
Public-domain text, read in full here on John Shaqi.
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