The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
_Blue and Yellow._—These two colours harmonize well, the blue imparting
to the yellow an orange tint so much the deeper as the tone of the blue
is raised, while the yellow communicates to the blue a beautiful tint
of violet, or if the blue have any unpleasant greenish tint the yellow
will neutralize it. If, however, there be a great difference in the
tone of the two colours, contrast arising from this difference might
destroy the effect of the contrast of colours; so that a deep blue
might appear black or less violet, while the yellow, being enfeebled,
might seem greenish.
_Blue and Scarlet._—Deep blue and scarlet make a beautiful assortment,
the blue giving fire to the scarlet; the latter rendering the blue more
pure. There is no doubt that for effect a clearer blue and a fresh
orange would be preferable, if there be no white in the uniform.
_Green and Yellow._—This combination pleases by its gaiety, which suits
cavalry of the line. But the green should be yellower and clearer than
that which associates well with red; for the twofold reason that the
yellow, by neutralizing a portion of the yellow in the green, raises
the colour of the blue, and consequently lessens the brilliancy of the
green. Besides, this effect tends constantly to increase, as the yellow
of the green fades sooner than its blue. On the other hand, the yellow
cloth receiving red from the green, must not be taken too deep. This
case furnishes a good example of the economical advantage of contrasts
of colour generally; and it will be seen that good arrangements are
so much more difficult to make, as we depart from the contrast of
complementary colour.
_Of a single Colour and White._
We must refer to our preceding observations with respect to the
juxtaposition of white with colours (178) to reason upon these
combinations in uniforms. Colours are heightened, their complementaries
are added to the white, and effects are produced which are so much
the more perceptible as the colours are less raised in tone. If the
white is rusty the juxtaposition of blue will heighten its tint;
violet placed beside it will clear it, rendering it yellow; green
will increase its redness; yellow, and especially orange yellow, will
enfeeble it.
A white uniform has a good effect, not only when white pantaloons are
worn with a white coat, or with facings, collar, &c. of white to a
light coloured coat; but it has a good effect also with light trousers;
for instance, light blue and white coat, or collar and facings. White
trousers also do well with a uni-coloured coat.
_Bi-coloured Uniforms with White._
Public-domain text, read in full here on John Shaqi.
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