The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
SECTION I.—ON THE LAW OF SIMULTANEOUS CONTRAST OF COLOURS,
AND OF ITS DEMONSTRATION BY MEANS OF EXPERIMENT 4
CHAP. I.—Manner of observing the Phenomena
of the Simultaneous Contrast of Colours. Definition
of Simultaneous Contrast 4
CHAP. II.—The Law of the Simultaneous Contrast
of Colours, and the Formula which represents it 8
CHAP. III.—The Law of Simultaneous Contrast of Colours
demonstrated by the Juxtaposition of a certain Number
of Coloured Bodies 10
CHAP. IV.—On the Juxtaposition of Coloured
Surfaces with White 18
CHAP. V.—On the Juxtaposition of Coloured Bodies with Black 19
CHAP. VI.—On the Juxtaposition of Coloured Bodies with Grey 21
CHAP. VII.—On the Juxtaposition of Coloured Bodies belonging
to the Colours of the same Group of Coloured Rays 24
CHAP. VIII.—On the Application of the Law of Contrast to the
Hypothesis that Red, Yellow, and Blue are the only
Primary Colours; and that Orange, Green, Indigo, and Violet
are Secondary or Composite Colours 25
SECTION II.—ON THE DISTINCTION BETWEEN SIMULTANEOUS, SUCCESSIVE,
AND MIXED CONTRAST OF COLOURS, AND ON THE CONNEXION BETWEEN
THE EXPERIMENTS MADE BY THE AUTHOR, AND THOSE PREVIOUSLY
MADE BY OTHER OBSERVERS. DISTINCTION BETWEEN SIMULTANEOUS,
SUCCESSIVE, AND MIXED CONTRAST OF COLOURS 29
PART THE SECOND.
ON THE APPLICATION OF THE LAW OF SIMULTANEOUS CONTRAST
OF COLOURS 34
Introduction 34
Definition of the words Tones, Scales, and Hues 34
Of Diagrams designed to represent and define Colours
and their Modifications 36
Harmony of Colours 46
Assortments of Red, Orange, Yellow, Green, Blue,
and Violet with White, Black, and Grey 49
Colours with White 50
Colours with Black 54
Colours with Grey 58
FIRST DIVISION.—IMITATION OF COLOURED OBJECTS WITH COLOURED
MATERIALS IN A STATE OF INFINITE DIVISION 68
Introduction 68
Painting on the System of Chiaro-’scuro 69
Painting on the System of Flat Tints 81
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