Man-woman relationships -- Fiction; Young men -- Conduct of life -- Fiction
Anthony produced his gloves in a crumpled wad from the tail of his coat
and fought his way into them. He felt rather than saw the restrained
amusement of his fellows. They spoke to him gravely, punctiliously
proffered cigarettes; yet, in a vague but unmistakable manner, he was
made to feel that he was outside their interests, ignorant of their
shibboleth. In the matter of collars alone he was as a Patagonian to
them. He recalled with regret the easy familiarity, the comfort, of
Doctor Allhop's drugstore.
Then, throwing aside cigarettes, patting waistcoats into position, they
streamed down to the music. The others found partners immediately, and
swung into a onestep, but Anthony stood irresolutely in the doorway.
The girls disconcerted him with their formal smiles, their bright, ready
chatter. But Ellie rescued him, drawing him into the dance. After which
he sought the porch that, looped with rosevines, crossed the face of the
long, low house. There, with his back against a pillar, he found a cool
spot upon the tiles, and sought such comfort as he could command.
Long windows opening from the ballroom were now segments of whirling
color, now filled with gay streams, ebbing and returning. Fragmentary
conversation, glowing cigarettes, surrounded him. Behind the pillar at
his back a girl said, softly, “please don't.”
Then he saw Ellie, obviously searching for him, and he rose. At her
side was a slim figure with a cloud of light hair. “There he is!” Ellie
exclaimed; “Eliza... my brother, Anthony.”
He saw that her eyes opened widely, and that her hair was a peculiar,
bright shade. Ginger-colored, he thought. “I made Ellie find you,” she
told him; “you know, you must ask me to dance; I won't be ignored at my
own party.”
He muttered awkwardly some conventional period, annoyed at having
been found, intensely uncomfortable. In a minute more he found himself
dancing, conscious of his limp tie, his crumpled and gaping shirt. He
swung his partner heavily across the room, colliding with a couple
that he shouldered angrily aside. The animation swiftly died from Eliza
Dreen's countenance; she grew indifferent, then cold. And, when the
music ceased, she escaped with a palpable sigh of relief. He was
savagely mopping his heated face on the porch when, at his elbow, a
clear voice captured his attention. “A dreadful person,” it said, “...
like dancing with a locomotive... A regular Apache.”
He turned and saw that it was Eliza Dreen, gathering from her swift
concern both that he had been the subject of her discourse, and that she
was aware that he had overheard it. Back at his post at the pillar
he promised himself grimly that never again would he be found in such
specified company. He stripped his gloves from his wet palms, and flung
them far across the lawn, then recklessly eased his collar. There was
a sudden whisper of skirts behind him, when Eliza seated herself on the
porch's edge, at his side.
IX
Public-domain text, read in full here on John Shaqi.
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