The normal, natural way, of course, is to replace a lost feather with
a new one as soon as possible; but in order to give extra strength to
the wing feathers nature has found it necessary to check their frequent
change, and so complete is the check that the annual moult is required
to replace one of them. The Japanese have discovered the secret of
this check, and are able by it to keep certain feathers in the tails
of their cocks growing until they reach the enormous length of ten to
twelve feet.
My crow, it seems, lost his three feathers just after his annual moult;
the three broken shafts he carries still in his wing, and must continue
to carry, as the stars must continue their courses. These three
feathers must round out their cycle to the annual moult. The universe
of worlds and feathers is a universe of law, of order, and of reason.
[Illustration]
XI
High Noon
LAZILY sailing clouds, and between them, far away, the illimitable
blue! And how blue! how cool! how far away! Never does the sky seem
of so real azure, so fresh and new, but so mysteriously distant, as
upon such a July day as this; and never does the earth seem so warm
and near. I lie outstretched upon it as close as I ever lay upon my
mother’s breast. I feel the crisp moss beneath me, the creeping of the
beetle under my shoulder, the heat of the gray stone against my side.
I throw out my hands, push my fingers into the hot soil and feel them
take root. Mother earth! The clouds sail on; the bending blue recedes;
and—heaven? It matters not. Here are my brothers,—the beetle, the
moss, the gray stone; and here I lie in the arms of the mother who bore
me.
I have questions to ask—to-morrow; dreams to dream—to-morrow; things
to do—to-morrow. To-day I am free in the fields; to-day I am brother
to the beetle and the stone; I am neighbor to this ancient white oak in
whose shade I lie; I am child to the earth. It is enough to be to-day.
How warm is this mother breast, even here, under the tree! The sun is
overhead. The summer is at its height. The flood-tide of life has come.
It is high noon of the year.
The drowsy silence of the full, hot noon lies deep across the field.
Stream and cattle and pasture-slope are quiet in repose. The eyes of
the earth are heavy. The air is asleep. Yet the round shadow of my oak
begins to shift. The cattle do not move; the pasture still sleeps under
the wide, white glare. But already the noon is passing.
Of the four seasons summer is the shortest, and the one we are least
acquainted with. Summer is only a pause between spring and autumn, only
the hour of the year’s noon. But the hour is long enough were we able
to stop, to lie down under a tree for the hour, unwearied, wide-awake,
and still.
Public-domain text, read in full here on John Shaqi.
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