The Lazy Tour of Two Idle ApprenticesDickens, Charles
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The Lazy Tour of Two Idle Apprentices
Dickens, Charles
Apprentices -- Fiction; Cumbria (England) -- Description and travel -- Fiction; Walking -- England -- Cumbria -- Fiction
‘“Ellen, here is a writing that you must write out to-morrow, in your own
hand. You may as well be seen by others, busily engaged upon it. When
you have written it all fairly, and corrected all mistakes, call in any
two people there may be about the house, and sign your name to it before
them. Then, put it in your bosom to keep it safe, and when I sit here
again to-morrow night, give it to me.”
‘“I will do it all, with the greatest care. I will do anything you
wish.”
‘“Don’t shake and tremble, then.”
‘“I will try my utmost not to do it—if you will only forgive me!”
‘Next day, she sat down at her desk, and did as she had been told. He
often passed in and out of the room, to observe her, and always saw her
slowly and laboriously writing: repeating to herself the words she
copied, in appearance quite mechanically, and without caring or
endeavouring to comprehend them, so that she did her task. He saw her
follow the directions she had received, in all particulars; and at night,
when they were alone again in the same Bride’s Chamber, and he drew his
chair to the hearth, she timidly approached him from her distant seat,
took the paper from her bosom, and gave it into his hand.
‘It secured all her possessions to him, in the event of her death. He
put her before him, face to face, that he might look at her steadily; and
he asked her, in so many plain words, neither fewer nor more, did she
know that?
‘There were spots of ink upon the bosom of her white dress, and they made
her face look whiter and her eyes look larger as she nodded her head.
There were spots of ink upon the hand with which she stood before him,
nervously plaiting and folding her white skirts.
‘He took her by the arm, and looked her, yet more closely and steadily,
in the face. “Now, die! I have done with you.”
‘She shrunk, and uttered a low, suppressed cry.
‘“I am not going to kill you. I will not endanger my life for yours.
Die!”
‘He sat before her in the gloomy Bride’s Chamber, day after day, night
after night, looking the word at her when he did not utter it. As often
as her large unmeaning eyes were raised from the hands in which she
rocked her head, to the stern figure, sitting with crossed arms and
knitted forehead, in the chair, they read in it, “Die!” When she dropped
asleep in exhaustion, she was called back to shuddering consciousness, by
the whisper, “Die!” When she fell upon her old entreaty to be pardoned,
she was answered “Die!” When she had out-watched and out-suffered the
long night, and the rising sun flamed into the sombre room, she heard it
hailed with, “Another day and not dead?—Die!”
‘Shut up in the deserted mansion, aloof from all mankind, and engaged
alone in such a struggle without any respite, it came to this—that either
he must die, or she. He knew it very well, and concentrated his strength
against her feebleness. Hours upon hours he held her by the arm when her
arm was black where he held it, and bade her Die!
Public-domain text, read in full here on John Shaqi.
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