On her way back along the gallery she recalled his face in that
moment of rage with troubled question. She wondered if there was more
disturbing him than she knew--it was an extraordinary exhibition of
anger for such a cause. Also she had not felt sure that his change of
mood was genuine, his laugh had rung false, and when he had laid his
hands on her shoulders she had felt their coldness through the thin
stuff of her negligée. She heaved a sigh of relief at the thought that
he was going. In his present mood there was no knowing what clashes
there might be, and it was the last evening, and there would be a full
moon, and she and Bassett would walk like lovers under its magic light.
When her door had closed, the gallery and living-room became as quiet
as though the house were unoccupied. Sybil, approaching it, heard no
sound of voices, a fact that reassured her, for the long day had tired
her and she had no mind for talk. She was coming in by the balcony when
she saw Flora Stokes sitting there reading and deflected her course
toward the path that skirted the building’s front. If Flora noticed
her she made no sign, her eyes glued to her book, and Sybil, stepping
softly, for she dreaded the woman’s resentful glances, passed along to
the entrance of the living-room. The place was deserted and she stopped
on the threshold for a last look at the sky’s fading splendors.
Across the depths of the room the door into the hall opened, but so
gently that she did not hear it. Stokes made this noiseless entrance in
the hope that she might be there, and now, seeing his hope fulfilled,
closed the door as carefully, standing against it watching her.
If the conventional garb of the street was not as becoming to his
darkly Byronic style as the trappings of the Duke, he was still
unusually handsome. A figure of distinction in its lean grace, with
proud hawk features and the deep-set melancholy eyes that the matinée
girl loves. Even his pallor had charm in their opinion, adding to his
romantic suggestion. Gull Island sun and breezes had left no trace upon
it; his face against the background of the door was a yellowish white.
Seeing that she did not turn he pronounced her name. At that she
wheeled, lightning-quick, and came forward from beneath the deep jut of
the gallery assuming as unconcerned a manner as she could.
“Lovely evening,” she said as she advanced. “It’s been hard to come in.”
“Evidently from the length of time you stayed out there. I’ve been
waiting for you.”
It was not a propitious beginning, especially as he still stood against
the door as if intending to bar her exit.
“I’m going up-stairs to dress now.”
“There’s plenty of time. You can give me a few minutes. I’ve something
I want to say to you.”
“Oh, Aleck!” She stopped with an air of weary expostulation. “_Don’t_
say anything more. _Don’t_ begin that dreadful subject. I’m sick of it,
I loathe it and _can’t_ you see it isn’t any use?”
He went on as if he hadn’t heard her:
Public-domain text, read in full here on John Shaqi.
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