The deadly danger of it was cold at her heart as she lay back on the
divan and closed her eyes. Through her shut lids she saw the paragraph
with the words of the address standing out like the writing on the
wall. She had heard directly from him once, a letter the day after he
had fled; the only one that even he, reckless in his despair, had
dared to send. In that he had told her to watch the personal column in
a certain paper and had given her the names by which she could identify
the paragraphs. She had watched and twice found the veiled message and
twice waited in sickening fear for discovery. It had not happened.
Now he had grown bolder, telling her where he was--it was as if his
hand beckoned her to come. She could write to him at last, do it this
evening and take it out after dark. Lying very still, her hands clasped
behind her head, she ran over in her mind letter-boxes, post-offices
where she might mail it. Were the ones in crowded districts or those in
secluded byways, the safest? It was like walking through grasses where
live wires were hidden.
A ring at the bell made her leap to her feet with wild visions of
detectives. But it was only Anne Tracy, come in to see if she was
back from her visit on the Sound. It was a comfort to see Anne, she
always acted as if things were just as they had been and never asked
disturbing questions. In the wilting heat she looked cool and fresh,
her dress of yellow linen, her straw hat encircled by a wreath of
nasturtiums had the dainty neatness that always marked Anne’s clothes
and Anne herself. She was pale-skinned and black-haired, satin-smooth
hair drawn back from her forehead and rolled up from the nape of her
neck in an ebony curve. Because her eyebrows slanted upward at the ends
and her eyes were long and liquid-dark and her nose had the slightest
retroussé tilt, people said she looked like a Helleu etching. And other
people, who were more old-fashioned and did not know what a Helleu
etching was, said she looked like a lady.
She was Sybil’s best friend, was to have been her bridesmaid. But she
knew no more of Sybil’s secrets since Jim Dallas had disappeared than
any one else. And she never sought to know--that was why the friendship
held.
They had a great deal to talk about, but chiefly the _Twelfth
Night_ affair. Anne was immensely pleased that Sybil had agreed to
play. She did not say this--she avoided any allusions to Sybil’s
recent conducting of her life--but her enthusiasm about it all was
irresistible. It warmed the sad-eyed girl into interest; the Viola
costume was brought from its cupboard, the golden wig tried on. When
Anne took her departure late in the day, after iced tea and layer cake
in the kitchenette, she felt much relieved about her friend--she was
“coming back,” coming alive again, and this performance off in the
country, far from her old associations, was just the way for her to
start.
Public-domain text, read in full here on John Shaqi.
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