They began with the pine grove. Needles carpeted the ground, slippery
smooth, a beaten trail winding between the tree trunks. Beyond it the
path ascended the bare slope to the summer-house. “No place to hide
here,” Rawson said. “The murderer, if Mrs. Stokes’ story is true, was
either in the open or in the summer-house.” They paused, moved on, bent
for a closer scrutiny of the dry grass, searched for an imprint in the
pebbled walk. Secretive as the rest of the island, the way divulged
nothing. Sybil’s light foot had made no faintest mark, she had gone to
her death leaving no track nor trace.
The summer-house, a small, six-sided building, was covered by a thick
growth of Virginia creeper that swathed its rustic shape. In four of
its walls the vines, matted into a mantle of green, had been cut away
to form windows. Framed in these squares sea and land views were like
pictures brilliantly bright from the shaded interior. The other two
sides held the entrances, one giving on the path that descended to the
pine grove, one to its continuation to the Point. A circular seat ran
round the walls and a table in the same bark-covered wood was the only
movable piece of furniture. This was drawn up against the seat at one
side. Rawson moved it out as the other two ran exploring eyes over the
walls, the door-sills and the floor of wooden planking upon which a few
leaves were scattered.
“Here,” he cried suddenly. “What’s this?” and drew from a crevice where
the legs crossed, some scraps of a coarse gold material.
He held them up against the light of the opening--three short strands
of what might have been the gilt string used to tie Christmas packages.
“What do you know about this?” he said, offering them to Bassett’s
gaze.
Bassett looked, and Williams with craned neck and lifted brows looked
too. They were exactly of a length, broken filaments of thread attached
to the end of each.
“They’ve been torn off something,” Rawson indicated the threads,
“caught in that joint of the table legs and pulled off. Did she have
anything like this on her dress anywhere, a trimming or----”
“Fringe,” Bassett interrupted, “the fringe on her sash.”
“Ah!” Rawson could not hide his exultation. “_Now_ we’ve got something
we can get our teeth into.”
“Yes.” Bassett took the pieces and studied them in the light. “That’s
what it is. She wore a wide sash round her waist with ends that hung
down edged with gold fringe. This is a bit of it.”
“Well,” said Williams, “that’s a starter anyhow. She was in here.”
Rawson sat on the bench and drew the table into its former position:
Public-domain text, read in full here on John Shaqi.
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