The Learned Lady in England, 1650-1760Reynolds, Myra
History
The Learned Lady in England, 1650-1760
Reynolds, Myra
Women -- Education -- Great Britain; Women -- Great Britain; Women authors, English
Lady Chudleigh[207] was a lady of much repute in the eighteenth
century for her writings in both prose and verse. Her _Poems_ were
published in 1703 and her _Essays_ in 1710, but her chief literary
activities belong in the late seventeenth century. Her _Essays_ are
disquisitions on Pride, Humility, Self-love, Friendship, Death,
Anger, Avarice, Solitude, and kindred themes. Mr. Ballard says of
them: "They appear to be, not the excursions of a lively imagination
... so much as the deliberate results of a long exercise in the
world, improv'd with reading, regulated with judgment; softened by
good breeding, and heightened with sprightly thoughts and elevated
piety." Her prose style is fluent, energetic, and, for the most part,
correct. In her Preface to her _Song of Three Children Paraphrased_
she makes several points that indicate mental independence. In the
height of the dominance of the heroic couplet she chooses Pindaric
verse because she does not wish to be tied up to the rules of the
couplet, and because she desires to give her fancy greater scope.
She begs pardon for introducing into her poem ideas "not generally
received," such as Dr. Burnet's conception of the "Ante-diluvian
Earth as Smooth, regular, and uniform; without Mountains or Hills."
Concerning her poetic use of the doctrine of preëxistence she says,
"To me 't is indifferent which is true, as long as I know I am by
the Laws of Poetry allow'd the Liberty of chusing that which will
sound most gracefully in Verse." In regard to the stars she adopts
"the Cartesian Hypothesis" because it makes the universe "appear
infinitely larger, fuller, more magnificent." Her imagination is
as genuinely excited as was Tennyson's by her conception of the
"boundless Spaces" of the heavens and the splendor of the "huge
Globes which roll over our Heads." She believes also in a millennial
existence on "a new habitable earth." The poem itself is an unbroken
ecstasy ninety long stanzas in duration, and becomes undeniably
wearisome. But the woman who could spend months in a lonely country
place absorbed in such religious and scientific reflections, who
could maintain for so long a time so rapt and energetic a mental
attitude towards abstract subjects, was far enough removed from the
traditional _hausfrau_.
Public-domain text, read in full here on John Shaqi.
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