Comedy plays; Molière, 1622-1673 -- Translations into English
CLI. I even guessed what he was like; and by means of the verses with
which he deluges us, I saw what the poet must be. So well had I
pictured to myself all his features and gait that one day, meeting a
man in the galleries of the Palace of Justice [footnote: the resort of
the best company in those days.], I laid a wager that it must be
Trissotin--and I won my wager.
HEN. What a tale!
CLI. No, I assure you that it is the perfect truth. But I see your
aunt coming; allow me, I pray you, to tell her of the longings of my
heart, and to gain her kind help with your mother.
SCENE IV.--BÉLISE, CLITANDRE.
CLI. Suffer a lover, Madam, to profit by such a propitious moment to
reveal to you his sincere devotion....
BEL. Ah! gently! Beware of opening your heart too freely to me;
although I have placed you in the list of my lovers, you must use no
interpreter but your eyes, and never explain by another language
desires which are an insult to me. Love me; sigh for me; burn for my
charms; but let me know nothing of it. I can shut my eyes to your
secret flame, as long as you keep yourself to dumb interpreters; but
if your mouth meddle in the matter, I must for ever banish you from my
sight.
CLI. Do not be alarmed at the intentions of my heart. Henriette is,
Madam, the object of my love, and I come ardently to conjure you to
favour the love I have for her.
BEL. Ah! truly now, the subterfuge shows excellent wit. This subtle
evasion deserves praise; and in all the romances I have glanced over,
I have never met with anything more ingenious.
CLI. This is no attempt at wit, Madam; it is the avowal of what my
heart feels. Heaven has bound me to the beauty of Henriette by the
ties of an unchangeable love. Henriette holds me in her lovely chains;
and to marry Henriette is the end of all my hopes. You can do much
towards it; and what I have come to ask you is that you will
condescend to second my addresses.
BEL. I see the end to which your demand would gently head, and I
understand whom you mean under that name. The metaphor is clever; and
not to depart from it, let me tell you that Henriette rebels against
matrimony, and that you must love her without any hope of having your
love returned.
CLI. But, Madam, what is the use of such a perplexing debate? Why will
you persist in believing what is not?
BEL. Dear me! Do not trouble yourself so much. Leave off denying what
your looks have often made me understand. Let it suffice that I am
content with the subterfuge your love has so skilfully adopted, and
that under the figure to which respect has limited it, I am willing to
suffer its homage; always provided that its transports, guided by
honour, offer only pure vows on my altars.
CLI. But....
BEL. Farewell. This ought really to satisfy you, and I have said more
than I wished to say.
CLI. But your error....
BEL. Leave me. I am blushing now; and my modesty has had much to bear.
Public-domain text, read in full here on John Shaqi.
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