The Leatherworker in Eighteenth-Century Williamsburg: Being an Account of the Nature of Leather, & of the Crafts Commonly Engaged in the Making & Using of It. — John Shaqi
The Leatherworker in Eighteenth-Century Williamsburg: Being an Account of the Nature of Leather, & of the Crafts Commonly Engaged in the Making & Using of It.Ford, Thomas K.
History
The Leatherworker in Eighteenth-Century Williamsburg: Being an Account of the Nature of Leather, & of the Crafts Commonly Engaged in the Making & Using of It.
Ford, Thomas K.
Leatherwork -- Virginia -- Williamsburg
Clothing
shoes, boots, moccasins, galoshes
leggings, breeches, aprons
shirts, coats, caps, hats, gloves
belts, suspenders, points and laces
fur items, fur trim
Shelter and furnishings
tents, tepees
wall hangings, door curtains
chair seats and backs, beds
upholstery, cushion covers
fur rugs, fur bedding
Transportation
saddles, bridles, harness (including that for human porters)
carriage upholstery, wagon covers
scupper leathers, antichafing binding on sailing gear
Containers, liquid
wineskins, waterbags, bottles
jugs, mugs, buckets
inkwells and inkhorns
hoses, pipes
Containers, dry
bags, purses, food pouches
trunks, boxes, caskets, coffers
snuff boxes, dice cups
Military items
shields, scabbards, sheaths
bowcases, quivers, gun buckets
helmets, cartridge boxes
powder horns and buckets
Other
bookbinding, parchment, vellum
hornbooks, bellows, hinges
pump washers, airtight floats
spinning-wheel belts
cricket balls, drumheads, banjos
surgical trusses
Leather differs not only according to the species of creature it comes
from but according to the age and sometimes the sex of the animal, and
also the part of the animal’s body it once covered. Its characteristics
vary depending on the type of processing it undergoes—whether by liming,
tanning, tawing (mineral tanning), or shamoying (oil tanning)—and
depending on how these processes are varied and combined.
Leather can be stiff as bone or supple as silk, nearly as waterproof as
rubber or capable of sopping up water like a sponge, tough and
unyielding or resilient and stretchy, smooth and translucent as paper,
deeply grained in many patterns, or softly napped. It may be snowwhite
or range through hues of tan and red to dark brown. It may be molded,
carved, and colored in endless array. As leatherworkers for many
centuries have been fond of reminding the world, “There’s nothing like
leather.”
_THERE’S NOTHING LIKE TANNING_
Homer’s _Iliad_ contains what may be the earliest surviving literary
reference to leathermaking. Describing the swaying fight for possession
of Patroclus’s corpse, the author (in Pope’s translation) wrote:
As when the slaughter’d bull’s yet reeking hide,
Strain’d with full force, and tugged from side to side
The brawny curriers stretch; and labour o’er
The extended surface, drunk with fat and gore....
The untidy process here alluded to as currying was doubtless one of
man’s first methods of making leather. It consisted of laboriously
working into a hide or skin such greasy and albuminous substances as
animal fats, brains, blood, milk, and so forth. The product, although
technically not “leather,” had many of leather’s characteristics; this
is a paradox that calls for some definitions. In the terminology of the
trade:
Public-domain text, read in full here on John Shaqi.
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