The Legend of Sir Lancelot du Lac: Studies upon its Origin, Development, and Position in the Arthurian Romantic Cycle — John Shaqi
The Legend of Sir Lancelot du Lac: Studies upon its Origin, Development, and Position in the Arthurian Romantic CycleWeston, Jessie L. (Jessie Laidlay)
History
The Legend of Sir Lancelot du Lac: Studies upon its Origin, Development, and Position in the Arthurian Romantic Cycle
Weston, Jessie L. (Jessie Laidlay)
Arthurian romances -- History and criticism; Chrétien, de Troyes, active 12th century. Chevalier de la charrette; Cycles (Literature); Knights and knighthood in literature; Lancelot (Legendary character) -- Romances -- History and criticism; Ulrich, von Zatzikhoven, active approximately 1200 -- Char
A very good example of the _False Claimant_ is found in some versions
of the _Tristan_ legend, notably the poems of Gottfried von Strassburg,
and his source, Thomas of Brittany: very few of the prose versions have
retained it.[38]
M. Gaston Paris seems inclined to connect the 'white-foot' adventure
with this. Ultimately, of course, the stories must go back to a common
source; but the _Cerf au pied blanc_ presents the adventure in so
general a form, that one can hardly connect it with any special variant
of this very widespread folk-tale. The _Tristan_ variant is, as I have
said above, an especially good example, with many well-marked features,
none of the more characteristic of which are reproduced in the _lai_.
But we have in the same vast compilation the account of another
adventure of the same character, also ascribed to Lancelot, which does
appear to be directly drawn from the Tristan story.
In _Morien_[39] we learn that Morien, Gawain, and Lancelot, seeking
for Perceval and Agloval, come to a hermit's cell at four cross-roads.
They ask whither the roads lead, and learn that that on the right
hand leads to a waste land devastated by the ravages of a devil in
the form of a beast. Lancelot determines to brave the adventure and,
in spite of the remonstrances of the hermit, chooses this road. The
writer of the tale informs us (but it should be kept in mind that the
hermit _does not_ tell Lancelot) that the lady of the country has
promised her hand to whoever will slay the monster. A knight who has
long loved her, but is too cowardly to dare the venture, keeps a watch
upon all those who may attack the beast, with the secret intention of,
if possible, slaying the victor and taking the credit of the deed to
himself. Lancelot arrives at the monster's lair, which is surrounded by
the bones of men and animals slain by the fiend. No description of the
creature is given, but it is quite clear from the incidental details
that the writer conceived of it as a dragon; Lancelot's sword and spear
can make no impression on its skin; its claws pierce through shield
and hauberk and score deep wounds on the knight's body; it breathes
forth venom, which would have slain Lancelot but for the ring he wore
(no doubt the ring given him by the Lady of the Lake); finally, as it
opens its jaws to devour him, the knight thrusts his spear down its
throat and pierces the heart. The monster utters a loud cry, which is
heard over two miles off, and expires. The traitor knight, hearing the
cry, knows that the monster is slain and rides to the spot. Lancelot
is binding up his wounds; the traitor approaches, making feint to
aid him, deals him a treacherous blow and leaves him for dead; then
he cuts off the foot and is riding away when Gawain appears upon the
scene and challenges him. Lancelot recovers from his swoon in time
to bid Gawain slay the traitor, which he does. Before Lancelot can
recover from his wounds news comes that the King of Ireland has invaded
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