Having spoken these words, Beatrix got up, and, with fear
and trembling, approached the image of the Holy Virgin. She
adorned it with new flowers, seized those that she had just
replaced, and, ashamed for the first time in her life of the
pious use she made of them that she no longer had the right
to, she pressed them to her heart, in a scapular that had
been blessed, so as never to part with them. After that she
gazed one last time at the tabernacle, cried out in terror
and fled.
The following night a coach whisked away at high speed from
the convent the handsome wounded knight and a young nun in
breach of her vows who accompanied him.
The first year that succeeded this event was almost entirely
given over to the exaltation of a love requited. The world
itself for Beatrix was a new experience of pleasures that
were inexhaustible. Love multiplied around her all the means
of seduction able to perpetuate her error and encompass her
loss. She only emerged from voluptuous dreams in order to
awake amid the joy of banquets, among entertainments devised
by strolling players and the concerts of minstrels. Her
life was one long crazy feast in which the serious voice
of reflexion, stifled by an orgy's clamours, could only
have struggled to make itself heard. And yet she had not
quite forgotten Mary. More than once, as she prepared to
dress, her scapular had opened at the touch of her fingers.
More than once she had let drop on the withered posy of
the Virgin a gaze and a tear. Prayer had come more than
once to her lips, like a hidden flame lurking under ash
and embers, but it had been extinguished there by the
kisses of her abductor, and, even in her ecstasy, a voice
still told her that a prayer might have saved her!
Public-domain text, read in full here on John Shaqi.
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