When Mordecai heard of the feasts that were planned, he advised the Jews not to join in them. (15) All the prominent men of his people and many of the lower classes took his advice to heart. They fled from Shushan, to avoid being compelled to take part in the festivities. (16) The rest remained in the city and yielded to force; they participated in the celebrations, and even permitted themselves to eat of food prepared by the heathen, though the king had taken care not to offend the religious conscience of the Jews in such details. (17) He had been so punctilious that there was no need for them to drink wine touched by the hand of an idolater, let alone eat forbidden food. The arrangements for the feast were entirely in the charge of Haman and Mordecai, so that neither Jew nor Gentile might absent himself for religious reasons. (18) It was the aim of the king to let every guest follow the inclination of his heart. When Ahasuerus issued the order, that the officers of his house were to "do according to every man's pleasure," God became wroth with him. "Thou villain," He said, "canst thou do every man's pleasure? Suppose two men love the same woman, can both marry her? Two vessels sail forth together from a port, the one desires a south wind, the other a north wind. Canst thou produce a wind to satisfy the two? On the morrow Haman and Mordecai will appear before thee. Wilt thou be able to side with both?" (19) The scene of the festivities was in the royal gardens. The upper branches of the high trees were made to interlace with each other, so as to form vaulted arches, and the smaller trees with aromatic foliage were taken up out of the ground, and placed in artfully constructed tents. From tree to tree stretched curtains of byssus, white and sapphire blue, and vivid green and royal purple, fastened to their supports by ropes depending from round silver beams, these in turn resting on pillars of red, green, yellow, white, and glittering blue marble. The couches were made of delicate draperies, their frames stood on silver feet, and the rods attached to them were of gold. The floor was tiled with crystal and marble, outlined with precious stones, whose brilliance illuminated the scene far and wide. (20)