The situation and the aspect of this house, the frame of our present
Scene of manners and morals, has, moreover, a flavor, a perfume of the
lesser bourgeoisie, which may attract or repel attention according to
the taste of each reader.
In the first place, the Thuillier house did not belong to either
Monsieur or Madame Thuillier, but to Mademoiselle Thuillier, the sister
of Monsieur Thuillier.
This house, bought during the first six months which followed the
revolution of July by Mademoiselle Marie-Jeanne-Brigitte Thuillier, a
spinster of full age, stands about the middle of the rue Saint-Dominique
d’Enfer, to the right as you enter by the rue d’Enfer, so that the main
building occupied by Monsieur Thuillier faces south.
The progressive movement which is carrying the Parisian population to
the heights along the right bank of the Seine had long injured the sale
of property in what is called the “Latin quarter,” when reasons, which
will be given when we come to treat of the character and habits of
Monsieur Thuillier, determined his sister to the purchase of real
estate. She obtained this property for the small sum of forty-six
thousand francs; certain extras amounted to six thousand more; in all,
the price paid was fifty-two thousand francs. A description of the
property given in the style of an advertisement, and the results
obtained by Monsieur Thuillier’s exertions, will explain by what means
so many fortunes increased enormously after July, 1830, while so many
others sank.
Toward the street the house presents a facade of rough stone covered
with plaster, cracked by weather and lined by the mason’s instrument
into a semblance of blocks of cut stone. This frontage is so common in
Paris and so ugly that the city ought to offer premiums to house-owners
who would build their facades of cut-stone blocks. Seven windows lighted
the gray front of this house which was raised three storeys, ending in
a mansard roof covered with slate. The porte-cochere, heavy and solid,
showed by its workmanship and style that the front building on the
street had been erected in the days of the Empire, to utilize a part
of the courtyard of the vast old mansion, built at an epoch when the
quarter d’Enfer enjoyed a certain vogue.
Public-domain text, read in full here on John Shaqi.
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