The supper ended, a new scene opened for his consideration. With quick
and skilful hands the mother and daughter cleared the table, carrying the
things into the kitchen. Rotha brought a Bible and laid it before her
father; and mother and daughter resumed their seats. Mr. Carpenter read a
chapter, like a man who both knew and loved it; and then, a book being
given to the stranger, the other three set up a hymn. There was neither
formality nor difficulty; as the one had read, so they all sang, as if
they loved it. The voices were not remarkable; what was remarkable, to
the guest, was the sweet intonations and the peculiar _appropriation_ with
which the song was sung. It was a very common hymn,
"Jesus, I love thy charming name,
'Tis music to my ear;"--
And Mr. Southwode noticed a thing which greatly stirred his curiosity. As
the singing went on, the lines of those careworn faces relaxed; Mrs.
Carpenter's brow lost its shadow, her husband's face wore an incipient
smile; it was quite plain that both of them had laid down for the moment
the burden which it was also quite plain they carried at other times.
What had become of it? and what power had unloosed them from it? Not the
abstract love of music, certainly; though the melody which they sang was
sweet, and the notes floated out upon the evening air with a kind of
grave joy. So as the summer breeze was wafted in. There was a harmony,
somehow, between the outer world and this little inner world, for the
time, which moved Mr. Southwode strangely, though he could not at all
understand it. He made no remark when the service was over, either upon
that or upon any other subject. Of course the service ended with a
prayer. Not a long one; and as it was in the reading and singing, so in
this; every word was simply said and meant. So evidently, that the
stranger was singularly impressed with the reality of the whole thing, as
contradistinguished from all formal or merely duty work, and as being a
matter of enjoyment to those engaged in it.
Public-domain text, read in full here on John Shaqi.
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