FIFTH LETTER
Estou pôsto sem medo
A tudo o que o fatal destino ordene:
Póde ser que cansado,
Ou seja tarde, ou cedo,
Com pena de penar-me, me despene.
CAMÕES, _Canção_ ix.
I am writing to you for the last time, and I hope to let you see by the
difference in the terms and manner of this letter that you have at last
persuaded me that you no longer love me, and that therefore I ought no
longer to love you. I will send you on the first opportunity all that
I still have of yours. Do not be afraid that I shall write to you; I
will not even put your name on the packet. With all these details I
have charged Dona Brites,[35] whom I have accustomed to confidences
very different from this. Her care will be less suspected than mine.
She will take all the necessary precautions, that I may be assured that
you have received the portrait and bracelets which you gave me. I wish
you to know, however, that for some days I have felt as if I could burn
and tear up these tokens of your love, once so dear to me. But I have
revealed such weakness to your eyes that you would perhaps never have
believed me capable of going to a like extremity. I wish, however, to
enjoy all the pain I have experienced in separating from them, and
cause you some vexation at least. I confess, to your shame and mine,
that I found myself more attached to these trifles than I should like
to tell you, and I felt that I had again need of all my reasoning
powers to enable me to get rid of each object in spite of my flattering
myself that I cared no more for you. But, provided with such good
reasons as mine, one always achieves the end one seeks. I have placed
them in the hands of Dona Brites. What tears this resolution cost me!
After a thousand different emotions and doubts which you know not of,
and of which I shall certainly not give you an account, I have conjured
her to speak no more to me of these baubles, and never to give them
back to me even though I should beg to see them once again, and, in a
word, to send them you without letting me know.
Public-domain text, read in full here on John Shaqi.
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