After that, I saw him at his brother's home in Berkeley, at irregular intervals, and once paid him a visit at his own temporary home at Skylands, above Wrights, in Santa Clara County, whither he had moved from Howell Mountain, in Napa County. It was on this visit that I was emboldened to ask his opinion on certain verses of mine, the ambition to become a poet having infected me at the scandalously mature age of twenty-six. He was hospitable to my wish, and I was fortunate enough to be his pupil almost to the year of his going forth from among us. During the greater part of that time he was a resident of Washington, D. C., whither he had gone in behalf of the San Francisco _EXAMINER_, to aid in defeating (as was successfully accomplished) the Funding Bill proposed by the Southern Pacific Company. It was on this occasion that he electrified the Senate's committee by repeatedly refusing to shake the hand of the proponent of that measure, no less formidable an individual than Collis P. Huntington. For Bierce carried into actual practice his convictions on ethical matters. Secure in his own self-respect, and valuing his friendship or approval to a high degree, he refused to make, as he put it, "a harlot of his friendship." Indeed, he once told me that it was his rule, on subsequently discovering the unworth of a person to whom a less fastidious friend had without previous warning introduced him, to write a letter to that person and assure him that he regarded the introduction as a mistake, and that the twain were thenceforth to "meet as strangers!" He also once informed me that he did not care to be introduced to persons whom he had criticized, or was about to criticize, in print. "I might get to like the beggar," was his comment, "and then I'd have one less pelt in my collection." In his criticism of my own work, he seldom used more than suggestion, realizing, no doubt, the sensitiveness of the tyro in poetry. It has been hinted to me that he laid, as it were, a hand of ice on my youthful enthusiasms, but that, to such extent as it may be true, was, I think, a good thing for a pupil of the art, youth being apt to gush and become over-sentimental. Most poets would give much to be able to obliterate some of their earlier work, and he must have saved me a major portion of such putative embarrassment. Reviewing the manuscripts that bear his marginal counsels, I can now see that such suggestions were all "indicated," though at the time I dissented from some of them. It was one of his tenets that a critic should "keep his heart out of his head" (to use his own words), when sitting in judgment on the work of writers whom he knew and liked. But I cannot but think that he was guilty of sad violations of that rule, especially in my own case.