"Roots and leaves themselves alone are these,
Scents brought to men and women from the wild woods and from the
pondside,
Breast sorrel and pinks of love, fingers that wind around tighter than
vines,
Gushes from the throats of birds hid in the foliage of trees as the sun
is risen,
Breezes of land and love, breezes set from living shores out to you on
the living sea,--to you, O sailors!
Frost-mellowed berries and Third-month twigs, offered fresh to young
persons wandering out in the fields when the winter breaks up,
Love-buds put before you and within you, whoever you are,
Buds to be unfolded on the old terms.
If you bring the warmth of the sun to them, they will open, and bring
form, colour, perfume, to you:
If you become the aliment and the wet, they will become flowers, fruits,
tall branches and trees."
And the music takes good care of itself, too. As if it _could_ be
otherwise! As if those "large, melodious thoughts," those emotions, now so
stormy and wild, now of unfathomed tenderness and gentleness, could fail
to vibrate through the words in strong, sweeping, long-sustained chords,
with lovely melodies winding in and out fitfully amongst them! Listen, for
instance, to the penetrating sweetness, set in the midst of rugged
grandeur, of the passage beginning,--
"I am he that walks with the tender and growing night;
I call to the earth and sea half held by the night."
I see that no counting of syllables will reveal the mechanism of the
music; and that this rushing spontaneity could not stay to bind itself
with the fetters of metre. But I know that the music is there, and that I
would not for something change ears with those who cannot hear it. And I
know that poetry must do one of two things,--either own this man as equal
with her highest completest manifestors, or stand aside, and admit that
there is something come into the world nobler, diviner than herself, one
that is free of the universe, and can tell its secrets as none before.
I do not think or believe this; but see it with the same unmistakable
definiteness of perception and full consciousness that I see the sun at
this moment in the noonday sky, and feel his rays glowing down upon me as
I write in the open air. What more can you ask of the works of a man's
mouth than that they should "absorb into you as food and air, to appear
again in your strength, gait, face,"--that they should be "fibre and
filter to your blood," joy and gladness to your whole nature?
Public-domain text, read in full here on John Shaqi.
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