"What Christ appeared for in the moral-spiritual field for humankind,
namely, that in respect to the absolute soul there is in the possession of
such by each single individual something so transcendent, so incapable of
gradations (like life) that to that extent it places all being on a common
level, utterly regardless of the distinctions of intellect, virtue,
station, or any height or lowliness whatever" is the secret source of that
deathless sentiment of Equality which how many able heads imagine
themselves to have slain with ridicule and contempt as Johnson, kicking a
stone, imagined he had demolished Idealism when he had simply attributed
to the word an impossible meaning. True, _In_equality is one of Nature's
words: she moves forward always by means of the exceptional. But the
moment the move is accomplished, then all her efforts are toward equality,
toward bringing up the rear to that standpoint. But social inequalities,
class distinctions, do not stand for or represent Nature's inequalities.
Precisely the contrary in the long run. They are devices for holding up
many that would else gravitate down and keeping down many who would else
rise up; for providing that some should reap who have not sown, and many
sow without reaping. But literature tallies the ways of Nature; for though
itself the product of the exceptional, its aim is to draw all men up to
its own level. The great writer is "hungry for equals day and night," for
so only can he be fully understood. "The meal is equally set"; all are
invited. Therefore is literature, whether consciously or not, the greatest
of all forces on the side of Democracy.
Carlyle has said there is no grand poem in the world but is at bottom a
biography--the life of a man. Walt Whitman's poems are not the biography
of a man, but they are his actual presence. It is no vain boast when he
exclaims,
"Camerado! this is no book;
Who touches this touches a man."
He has infused himself into words in a way that had not before seemed
possible; and he causes each reader to feel that he himself or herself has
an actual relationship to him, is a reality full of inexhaustible
significance and interest to the poet. The power of his book, beyond even
its great intellectual force, is the power with which he makes this felt;
his words lay more hold than the grasp of a hand, strike deeper than the
gaze or the flash of an eye; to those who comprehend him he stands "nigher
than the nighest."
Public-domain text, read in full here on John Shaqi.
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