It is a matter of regret that so few of Whitman's letters to Mrs.
Gilchrist are available. Those included in this volume, sometimes in
fragmentary form, have been taken from loose copies found among his papers
after his death, or, in a few instances, are reprinted from Herbert
Harlakenden Gilchrist's "Anne Gilchrist" or Horace Traubel's "With Walt
Whitman in Camden." Acknowledgment of these latter is made in each
instance. But though Whitman's letters printed in this correspondence will
not compare with Mrs. Gilchrist's in point of number, enough are presented
to suggest the tenor of them all.
As a matter of fact, the first love-letter from Anne Gilchrist to Walt
Whitman was in the form of an essay written in his defense called "An
Englishwoman's Estimate of Walt Whitman." For that reason this well-known
essay is reprinted in this volume; and "A Confession of Faith," in reality
an amplification of the "Estimate" written several years after the
publication of the latter, is included. The reader who desires to follow
the story of this friendship in a chronological order will do well to read
at least the former of these tributes before beginning the letters.
Indebtedness is acknowledged to Prof. Emory Halloway of Brooklyn, New
York, for valuable suggestions.
T. B. H.
INTRODUCTION
Undoubtedly Mrs. Gilchrist's "Estimate of Walt Whitman," published in the
(Boston) _Radical_ in May, 1870, was the finest, as it was the first,
public tribute ever paid to the poet by a woman. Whitman himself so
considered it--"the proudest word that ever came to me from a woman--if
not the proudest word of all from any source." But a finer tribute was to
follow, in the sacred privacy of the love-letters which are now made
public forty years and more after they were written. The purpose of this
Introduction is not to interpret those letters, but to sketch the story in
the light of which they are to be read. And since both Anne Gilchrist and
Walt Whitman have had sympathetic and painstaking biographers, it will not
be necessary here to mention at length the already known facts of their
respective lives.
Public-domain text, read in full here on John Shaqi.
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