The Letters of Charles Dickens. Vol. 2, 1857-1870 — John Shaqi
The Letters of Charles Dickens. Vol. 2, 1857-1870Dickens, Charles
General
The Letters of Charles Dickens. Vol. 2, 1857-1870
Dickens, Charles
Dickens, Charles, 1812-1870 -- Correspondence; Novelists, English -- 19th century -- Correspondence
We shall go down in the old pleasant way, and shall have the Art
Treasures Exhibition to ourselves on the Sunday; when even "he" (as
Rogers always called every pretty woman's husband) might come and join
us.
What do you say? What does he say? and what does baby say? When I use
the term "baby," I use it in two tenses--present and future.
Answer me at this address, like the Juliet I saw at Drury Lane--when was
it?--yesterday. And whatever your answer is, if you will say that you
and Compton will meet us at the North Kent Station, London Bridge, next
Sunday at a quarter before one, and will come down here for a breath of
sweet air and stay all night, you will give your old friends great
pleasure. Not least among them,
Yours faithfully.
[Sidenote: Mr. W. C. Macready.]
GAD'S HILL PLACE, HIGHAM BY ROCHESTER,
_Monday, Aug. 3rd, 1857._
MY DEAREST MACREADY,
I write to you in reference to your last note, as soon as I positively
know our final movements in the Jerrold matter.
We are going to wind up by acting at Manchester (on solemn requisition)
on the evenings of Friday and Saturday, the 21st and 22nd (actresses
substituted for the girls, of course). We shall have to leave here on
the morning of the 20th. You thought of coming on the 16th; can't you
make it a day or two earlier, so as to be with us a whole week? Decide
and pronounce. Again, cannot you bring Katey with you? Decide and
pronounce thereupon, also.
I read at Manchester last Friday. As many thousand people were there as
you like to name. The collection of pictures in the Exhibition is
wonderful. And the power with which the modern English school asserts
itself is a very gratifying and delightful thing to behold. The care for
the common people, in the provision made for their comfort and
refreshment, is also admirable and worthy of all commendation. But they
want more amusement, and particularly (as it strikes me) _something in
motion_, though it were only a twisting fountain. The thing is too still
after their lives of machinery, and art flies over their heads in
consequence.
I hope you have seen my tussle with the "Edinburgh." I saw the chance
last Friday week, as I was going down to read the "Carol" in St.
Martin's Hall. Instantly turned to, then and there, and wrote half the
article. Flew out of bed early next morning, and finished it by noon.
Went down to Gallery of Illustration (we acted that night), did the
day's business, corrected the proofs in Polar costume in dressing-room,
broke up two numbers of "Household Words" to get it out directly, played
in "Frozen Deep" and "Uncle John," presided at supper of company, made
no end of speeches, went home and gave in completely for four hours,
then got sound asleep, and next day was as fresh as you used to be in
the far-off days of your lusty youth.
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