Ah, I am so vexed about George Sand. She came, she has gone, and we haven't met! There was a M. François who pretended to be her very very particular friend, and who managed the business so particularly ill, from some motive or some incapacity, that he did not give us an opportunity of presenting our letter. He did not '_dare_' to present it for us, he said. She is shy--she distrusts bookmaking strangers, and she intended to be incognita while in Paris. He proposed that we should leave it at the theatre, and Robert refused. Robert said he wouldn't have our letter mixed up with the love letters of the actresses, or perhaps given to the 'premier comique' to read aloud in the green room, as a relief to the 'Chère adorable,' which had produced so much laughter. Robert was a little proud and M. François very stupid; and I, between the two, in a furious state of dissent from either. Robert tries to smooth down my ruffled plumage now, by promising to look out for some other opportunity, but the late one has gone. She is said to have appeared in Paris in a bloom of recovered beauty and brilliancy of eyes, and the success of her play, 'Le Mariage de Victorine,' was complete. A strange, wild, wonderful woman, certainly. While she was here, she used a bedroom which belongs to her son--a mere 'chambre de garçon'--and for the rest, saw whatever friends she chose to see only at the 'café,' where she breakfasted and dined. She has just finished a romance, we hear, and took fifty-two nights to write it. She writes only at night. People call her Madame Sand. There seems to be no other name for her in society or letters. Now listen. Alexandre Dumas _does_ write his own books, that's a fact. You know I always maintained it, through the odour of Dumas in the books, but people swore the contrary with great foolish oaths worth nothing. Maquet prepares historical materials, gathers together notes, and so on, but Dumas writes every word of his books with his own hand, and with a facility amounting to inspiration, said my informant. He called him a great savage negro child. If he has twenty sous and wants bread, he buys a pretty cane instead. For the rest, 'bon enfant,' kind and amiable. An inspired negro child! In debt at this moment, after all the sums he has made, said my informant--himself a most credible witness and highly cultivated man.