Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
Dear Gorham: --/--/ You know I shall talk it [_Secession_] up,--but the
worst is that most of my acquaintances are totally unfitted for
enthusiasms of this sort. The indifference you will encounter when you
return to these States you must be prepared to face. Every one is
suddenly and enormously _busy_--making money, attending teas, motoring,
starving--God knows what all. It makes me reel! Life is too scattered
for me to savor it any more. Probably this is only on account of my
present work which demands the most frequent jerks of the imagination
from one thing to another, still--the war certainly has changed things a
bit here. The question in my mind is, how much less vertigo are we going
to suffer in the latter whirl than we did in the first blows and
commotion. If I am drifting into nonsense, it must be because I’m
getting no time lately for anything but work.
If you come home in May--one of the first things you must do is to make
me a good visit. You will be free to come, whereas there is a
considerable doubt now about my coming east at all this summer. Here in
my tower-study, rimmed with Sommer paintings and grey cracked paper, you
will have a good chance to focus your recent observations -- -- -- --.
Besides,--you have never seen any of the midwest, and it ought to be
part of your education. --/--/
92: TO GORHAM MUNSON
[_Cleveland_] _March 29th, ’22_
Dear Gorham: --/--/ With the banal arrival of spring and weeks of rain
and cloudy skies, I have again fallen in love! I guess I might about as
well take up quarters at La Rotonde--and be done with it. However,
_something_ must be indulged in to make Cleveland interesting.
93: TO WILLIAM WRIGHT
_Cleveland, O._ _April 2nd_
Dear Bill: Your prose is much better than your verse. I don’t know how
to explain--perhaps if I saw more of your poetry I might,--but certainly
the story you recently sent me makes me quite certain of it. The poem
has the tepid and pubescent steam in it that always seems to issue from
the environs of a college campus. It is college adolescence in only a
slight advance from the ordinary. It has enough in it to “get by” on the
first reading with a rather pleasing effect. But the second discovers
much to be criticized. It’s not in the technique but in the attitude
that I blame you for this. You have a real flair for phrasing, and two
years ago I should have probably praised you for the poem.
Public-domain text, read in full here on John Shaqi.
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