Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
Dear Gorham: I have been in a house up in “Little Italy,” a section of
Sicilian immigrants very near our house where one can get good
three-year Chianti,--and incidentally am feeling very fine as Sunday
evenings go. _There_ is the place to enjoy oneself, in the family
parlour of a pickslinger’s family with chromos on the walls that are
right in style of Derain and Vlaminck. Bitch dogs and the rest of the
family wander in while the bottle is still half empty and some of the
family offspring. _Tristram Shandy_ read to a friend with a Spanish
Bolero going on the Victrola sounds good in such a milieu! I never
should live without wine! When you come here we shall make many visits
to this charming family. You will like my classic, puritan, inhibited
friend Sam Loveman who translates Baudelaire charmingly! It is hard to
get him to do anything outside the imagination,--but he is charming and
has just given me a most charming work on Greek Vases (made in
Deutschland) in which satyrs with great erections prance to the
ceremonies of Dionysios with all the fervour of de Gourmont’s
descriptions of sexual sacrifice in _Physique de L’Amour_, which I am
lately reading in trans.
I am glad you like Lescaze’s portrait of me. He _has_ an athletic style.
Your criticism of painting et al strikes me as very exact and
appreciative--at least, as far as I am able to justly criticize it. He
hates Cleveland with all the awareness of the recent description of this
place accorded in the last _Masses_ or _Liberator_, as I understand.
Just now I am in too banal a mood to give sympathy to anything. At
times, dear Gorham, I feel an enormous power in me--that seems almost
supernatural. If this power is not too dissipated in aggravation and
discouragement I may amount to something sometime. I can say this now
with perfect equanimity because I am notoriously drunk and the Victrola
is still going with that glorious “Bolero.” Did I tell you of that
thrilling experience this last winter in the dentist’s chair when under
the influence of aether and _amnesia_ my mind spiraled to a kind of
seventh heaven of consciousness and egoistic dance among the seven
spheres--and something like an objective voice kept saying to me--“You
have the higher consciousness--you have the higher consciousness. This
is something that very few have. This is what is called genius.”? A
happiness, ecstatic such as I have known only twice in “inspirations”
came over me. I felt the two worlds. And at once. As the bore went into
my tooth I was able to follow its every revolution as detached as a
spectator at a funeral. O Gorham, I have known moments in eternity. I
tell you this as one who is a brother. I want you to know me as I feel
myself to be sometimes. I don’t want you to feel that I am conceited.
But since this adventure in the dentist’s chair, I feel a new confidence
in myself. At least I had none of the ordinary hallucinations common to
this operation. Even that means something. You know I live for
Public-domain text, read in full here on John Shaqi.
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